Analyses the feminist content of Afra-Hispanic literature written by Black Spanish-speaking women of the Caribbean and the Central and South America. Reconstruction of discursive tradition of Afra-Hispanic literature through archaeology; Presence of literate Afra-Hispanic writers during the slavery era; Prominence of Afra-Hispanic writers Nancy Morejon and Aida Cartagena Portalatin.
Perez Sarduy,Pedro (Editor) and Stubbs,Jean (Editor)
Format:
Book, Edited
Publication Date:
1993
Published:
Melbourne Vic.: Ocean Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
Published in association with the Center for Cuban Studies (New York)., 309 p, This anthology looks at the AfroCuban experience through the eyes of the island's writers, scholars and artists. Divided into three sections: The Die is Cast, Myth and Reality and Redrawing the Line, introducing the reader to a wide range of previously unavailable Cuban authors, in which dissenting voices speak alongside established writers, such as Fernando Ortiz.
Los Angeles, CA: Center for Afro-American Studies, University of California
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
Foreword by R.S. Bryce-Laporte., 197 p, Presents an anthropological analysis of the West Indians' adjustment in Costa Rica over a hundred-year period. The book also looks at the development of the inequality that occurred as Blacks, who initially saw themselves as superior to local Hispanics, later found themselves at the mercy of a Hispanic cultural hegemony. An important contribution to the anthropology of West Indians in the Caribbean's Hispanic borderlands, the book is rich in its observations on race, class, & mobility among West Indian immigrants & lays the foundation for comparison with other such immigrant communities in other areas of the Americas.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
415 p, Drawing on extensive anthropological fieldwork, Peter Wade shows how the concept of "blackness" and discrimination are deeply embedded in different social levels and contexts-from region to neighborhood, and from politics and economics to housing, marriage, music, and personal identity.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Journal Title Details:
VHS tape 1 videocassette (17 min.)
Notes:
Fernando Nunez, a black man, a musician, and a maker of drums, sees himself as the heir to "Candombe," an important social and cultural legacy from his slave forefathers in Uruguay. However, the official history and culture of Uruguay continues to marginalize expressions of black culture. Fernando Nunez and his friends from Barrio Sur, a back street quarter of Montevideo, fight to keep these important cultural roots alive in the consciousness of the Uruguayan people;
