African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
267 p., Draws on in-depth interviews to reveal the personal experiences of those who adopted the religion in the 1950s to 1970s, one generation past the movement's emergence . By talking with these Rastafari elders, he seeks to understand why and how Jamaicans became Rastafari in spite of rampant discrimination, and what sustains them in their faith and identity.
Hefferan,Tara (Editor), Adkins,Julie (Editor), and Occhipinti,Laurie (Editor)
Format:
Book, Edited
Publication Date:
2009
Published:
Lanham, MD: Lexington Books
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Journal Title Details:
p. 238 p.
Notes:
Includes /Bretton Alvaré's "Fighting for 'livity': Rastafari politics in a neoliberal state" and Tara L. Hefferan's "Encouraging development 'alternatives': grassroots church partnering in the U.S. and Haiti"
The Rastafarian exhibition in the Smithsonian Museum of Natural History recounts the history and reveals nuance to a movement that celebrates African liberation, global peace and "one love." A glass case at the Smithsonian exhibit displays such manuscripts as the Holy Piby, a proto-Rastafarian text that was widely circulated across the African Diaspora before being banned in Jamaica during the 1920s.
"This brief essay seeks to reflect on the contextual background and cultural milieu that surrounding the writing of Jesus is Dread, the first fully articulated Black theology text in Britain. The author, who is now an accomplished and respected film maker and television presenter, was the first Black person to teach Black theology as a fully fledged, academic discipline within theological education and ministerial training in Britain. This essay offers some nascent thoughts on the Construction of this text, highlighting the reasons for its development, and the influences that enabled it to come to life. The latter part of the essay outlines the author's subjective analysis on the continuing developments in the Black theology in Britain movement since the emergence of Jesus is Dread in 1998." [ABSTRACT FROM AUTHOR];
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
75 p.
Rastafari: the background of the movement, the emergence and development movement, lifestyle, Rastafari: the background of the movement, the emergence and development movement, lifestyle.
Rastafari: the background of the movement, the emergence and development movement, lifestyle
Rastafari: the background of the movement, the emergence and development movement, lifestyle
Rastafari: the background of the movement, the emergence and development movement, lifestyle
Discusses words from Jamaican dread talk that are integrated into the Spanish spoken by Rastas in Cuba. Existence of international dread talk words in lists of Rasta words; Translation of the term Cabeza Creadora as head of family; Categories of Cuban Rastafarian community.;
Presents an article on Jamaican art and the early artistic production of Edna Manley and Albert Huie, two artists that are commonly identified in art historical accounts as pioneers in the development of a national Jamaican art. Problem of race and representation in Jamaica as perceived by Huie and Manley; Character which held a particular representational significance for Huie and Manley; Role of Ethiopianism, Rastafarianism, Garveyism, and cultural nationalism in Jamaica.;
