La Habana, Cuba: Ministerio de Educación, Dirección de Cultura
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
477 p, Examines the musical traditions of the African population in Cuba, including rhythmic and melodic features, instrumentation, and vocal characteristics.
Attempts to understand what the presence of Black music means in the absence of Black people. Is this an expression of a global circulation of Afro-Caribbean cultural trends as symbols of belonging and difference among urban youngsters? Does it take us back to the history of Quintana Roo as a Caribbean region and the Black Atlantic? Is it a form of revision of Mexican national ethnic mixture and inclusion of other population groups? Adapted from the source document.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Journal Title Details:
VHS tape 1 videocassette (17 min.)
Notes:
Fernando Nunez, a black man, a musician, and a maker of drums, sees himself as the heir to "Candombe," an important social and cultural legacy from his slave forefathers in Uruguay. However, the official history and culture of Uruguay continues to marginalize expressions of black culture. Fernando Nunez and his friends from Barrio Sur, a back street quarter of Montevideo, fight to keep these important cultural roots alive in the consciousness of the Uruguayan people;
Quito, Ecuador: Centro Cultural Afro-Ecuatoriano : Ed. Abya-Yala
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
76 p., Much attention has been given to the indigenous populations of Central America by historians and anthropologists, but nothing has been done regarding a very important segment of the population that is the African presence in Central America. This book examines the Garifuna in Belize, Guatemala, Honduras, Nicaragua, Costa Rica, and Panama.
The dry Caribbean is a place in Colombia where some black communities have lived since decolonization. The text tackles the pedagogical sense of the Catedra de Estudios Afrocolombianos. The historical, territorial, juridical, educative, and organizational contextualization is followed by the emphasis in the necessity of creating a cultural production policy based on the black communities' life.
This study examines the identity categories of gender and race in the Cuban context of the first thirty years of the Revolution and focuses on black and mulata women, in which both categories converge. In this work I analyze the literary discourse of the Afro-Cuban female poets between the 1960s and 1980s and discern the role of self-representation that each of these poets constructs within the framework of "being black" or "mulata" woman. Also, since gender and race are redefined by the dominant power, this project analyzes the political hegemonic discourse of the period in relation to race and gender, and illuminates its role in preserving racial stereotypes as well as the patriarchal normatives of gender.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
311 p., Works by Argentine and Uruguayan specialists in the study of the black population and its impact on cultural formation of the Río de la Plata intertwines. The central idea is to strengthen the dialogue and discussion on issues that were silenced by official cultures for many years.
Santa Domingo, República Dominicana: Editora Manati
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
Articles previously published in the newspaper Hoy of the Dominican Republic., 118 p., Contents: Afrodominicano por elección/negro por nacimiento --
Para ser dominicano hay que incluirlo todo : los pesimistas dominicanos y su Haití dialéctico --
Historias de hombres y mujeres libres/historias cimarronas --
¿Somos étnicamente taínos? --
Los africanos/negros en la fundación y desarrollo de Santo Domingo --
Los negros y la esclavitud en Santo Domingo.
Montano,Oscar D. (Author) and Diarra,Fidèle (Author)
Format:
Book, Whole
Language:
Spanish
Publication Date:
2008
Published:
Montevideo: Mastergraf
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
1 vol., "En este primer volumen de Historia Afrouruguaya se abordan aspectos de las culturas africanas antes de la trata de esclavizados y sus costumbres. Se indica cuáles fueron los pueblos de África que estuvieron forzadamente aquí, su ubicación geográfica y los países que se beneficiaron con el tráfico humano. Ya en el Prólogo, realizado por Fidèle Diarra, Embajador de la República de Malí en Cuba, se comienzan a aportar aspectos en muchos puntos novedosos acerca de la presencia africana anterior a Colón en lo que sería luego llamado América. Oscar Montaño analiza censos y estadísticas para establecer la cantidad de población afro que habitaba Montevideo a comienzos del siglo XIX, las actividades que debieron realizar, la violencia que sufrieron y la forma en que lograron sobrevivir. El origen del Candombe y los primeros cantos de protesta de los africanos en estas tierras se abordan en el Capítulo final." --Back cover.
México, D.F: Universidad Nacional Autónoma de México
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
217 p., Includes Gudrun Lenkersdorf's "La defensa de los derechos de los pueblos originarios, afroamericanos y migrantes" and Luz María Martínez Montiel's "Afroamérica criso centenario,"
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
319 p., An examination of Nicaragua's African roots. Reveals current manifestations in religion, dance, musical instruments, spells and incantations, meals, and African words.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
460 p., Through multidisciplinary work that includes life stories, ethnohistoric essays, reflections, testimonies and policy proposals, the history and problems of Afro-Peruvians in the country is analyzed. the notion of "negritude" is used as the set of social and cultural characteristics that define afroperuanos.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
342 p, Examines how the low socioeconomic status of the black population in Cuba informs the representation of black characters in Cuban narrative fiction. From its very first example (Espejo de paciencia, 1608) until the most recent short fiction written after the 1959 Revolution, Cuban narrative fiction has played (and still plays) an important role in creating and maintaining the subaltern position of the black population in Cuba.
México, D.F.: Instituto Nacional de Antropología e Historia : Universidad Nacional Autónoma de México, Centro de Investigaciones sobre América Latina y el Caribe : Centro de Estudios Mexicanos y Centroamericanos : Institut de recherche pour le développement
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Hopenhayn,Martín (Author), Bello,Alvaro (Author), and United Nations. Economic Commission for Latin America and the Caribbean. Social Development Division (Author)
Format:
Book, Whole
Language:
Spanish
Publication Date:
2001
Published:
Santiago de Chile: CEPAL, División de Desarrollo Social
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
68 p., After centuries of exclusion and domination at the beginning of the new millennium indigenous peoples, Afro-Latin and Afro-Caribbean have the worst economic and social indicators and have little cultural recognition and access to decision makers. In Latin America and the Caribbean five countries account for nearly 90% of the regional indigenous population: Peru (27%), Mexico (26%), Guatemala (15%), Bolivia (12%), and Ecuador (8%). Afro-Latin and Afro-Caribbean region in the black and mestizo population reaches 150 million people, which means about 30% of the total population of the region. With regard to its geographical location, located especially in Brazil (50%) ;, Colombia (20%); and Venezuela (10%).
Buenos Aires, Argentina : New York, NY :: MG Producciones Distributed in the United States by Latin American Video Archives,
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
Filmed in Uruguay, this production highlights Candombe, the African inluenced music and dance of the Rio de la Planta region of Argentina and Uruguay; Also available in VHS format.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
489 p, Examines the musical traditions of the African population in Cuba, including rhythmic and melodic features, instrumentation, and vocal characteristics.
La Habana Vieja, Ciudad de La Habana, Cuba: Casa Editora Abril
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
204 p., Comentado e ilustrado sobre los números y leyendas cubanas afrodescendientes. Sus entradas léxicas muentran deidades, mitos y leyendas, con sus significado, caracterización, así como la impronta africana, europea y cubanas en sus interrelaciones y transculturaciones.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
296 p, This book was originally published in 1959 in Cuba which includes the rituals of the Society Abakua narrated according to the author. The secret society fraternal, religious , cultural and mutual Abakua , created in 1836 and then built by African slaves for the purpose of dealing with the abuses of slavery. Because of their unquestionable contribution to the racial and cultural integration of the Cuban nation, the Abakua Society was eventually legally recognized.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
194 p., Includes Marie-José Nzengou-Tayo's "Prejuicios acerca de la independencia haitiana : viento negro, Bosque del Caiman de Carlos Esteban Deive," Silvia Valero's "De 'negros' y 'mulatos' en la literatura cubana contemporánea : Elíseo Altunaga, Marta Rojas y la re-escritura de la historia," and Felix Ayoh'Omidire's "La identidad frente al poder : la asimetría ritual de Yemayá en Africa y América Latina."
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
240 p, It's the introduction that never became Afrocubana Culture, the work in four volumes that its author, Jorge Castellanos, wrote in collaboration with her daughter Isabel and Universal editions that given the stamp from 1988 to 1994.
