Kingston, Jamaica: University of the West Indies Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
343 p., Explores issues associated with Caribbean women, music, and the global community. By placing the Caribbean within the global community, these essays contribute to the discussion of diasporic musicians and elucidate the relationships between the Caribbean and the larger world. Emphasis is on the remarkable extent of the Caribbean’s influence, especially in the last 50 years.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
661 p., Focuses on the diffusion of Cuban popular musical styles throughout the Americas as well as the creation of new hybrids in places such as Puerto Rico, the Dominican Republic, Mexico, Colombia, Venezuela and Latin New York. Students, scholars and librarians will find Baila! to be an essential resource on Afro-Latin music and dance, language, literature, aesthetics, and more.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
772 p., George Gershwin introduced Afro Cuban Music in America in 1926. Xavier Cugat during the 1930's introduced The Rumba dance. Three great innovations based on Cuban music hit the USA after World War II: the first was Cubop, the latest Latin jazz fusion. The rumbustious conguero Chano Pozo was also important, for he introduced jazz musicians to basic Cuban rhythms. Cuban jazz has continued to be a significant influence. The mambo first entered the United States around 1950, though ideas had been developing in Cuba and Mexico City for some time.
