Considers how dance, rhythm and the body become forces of social differentiation. In Cuba, many Afro-Cuban cultural practices, such as rumba, have been subject to social and spatial exclusion. In this context, sites such as the home, the street and the family emerge as highly significant for the learning and performance of Afro-Cuban music and dance.
Discusses the 1978 case of seven Jamaican women who were to be deported from Canada and the questions the case raised about the value of women's labor and discriminatory immigration policies. Elucidates why the women, in their roles as mothers, decided to challenge the orders to leave Canada and illuminates the ways in which racialized women find the means to negotiate in-between spaces that allow them to survive.