The daytime workshops will be complemented by evening community programs held at the Historic Lyric Theatre, 819 NW Second Avenue in Overtown. On Monday, June 18 at 5:30 p.m. a special "Maroon Double Feature" film showing will celebrate the Pan African spirit of resistance with a presentation of "Maluala" by Cuban filmmaker Sergio Giral and "Quilombo" by Brazilian filmmaker Carlos Diegues. Both have become modern classics. Based on historical fact, these powerful dramas depict the struggle of those who dared to escape from slavery and establish independent, fiercely defended Maroon communities. Time will be allowed for discussion after the films. June 19 is officially celebrated in several states as "Juneteenth," commemorating that date in 1865 when the last of the enslaved African American population in East texas received word of the Emancipation Proclamation at the end of the Civil War. Because "No one was really free until everyone was free," this date, shortened by custom over the years to "Juneteenth." was considered the true end of the institution of slavery in the United States.
Here in Florida, Caribbean people may not celebrate with Junkonoos, but with their cousins the Mocko Jumbies. All over South Florida the Kwuya or stilt dance has become quite popular and includes the participation of children as well. This ritual dance is especially popular among Trinidadians. A newly-formed parang group, the Punto Finale, is testimony to the enduring appeal of Caribbean Christmas celebrations even when one is miles away from home. Led y Ruby Limare, with Dr. Dawn Batson as one of the 12 members, this group has been serenading South Floridians with lively Spanish-style Christmas music that has been part of the season's celebrations in Trinidad for centuries. Kwanzaa, which means first fruits of harvest, is a celebration that many Caribbean people can relate to because of its Afro-Centric base and its focus on family life, self-reliance, and culture. Although Kwanzaa begins the day after Christmas, its celebrations embraces this age-old tradition of Christmas day.
"This is a historic day for the state of Florida," [Jeb Bush] said. "But this appointment goes beyond symbolism. It represents a coming of age of a population that has made significant contributions to the state of Florida. Dr. [M. Rony Francois] joins an incredible group of aspiring Haitian Americans who are making a difference in our state." Francois, who will make $155,000 a year in the state post, will succeed Dr. John Agwunobi as secretary of the Department of Health. Agwunobi is leaving Tallahassee to become an assistant secretary in the U.S. Department of Health and Human Services. Francois will take over on Monday. A native of Port-au-Prince, Francois first came to the United States in 1979 and eventually earned a medical degree from USF in Tampa, as well as a master's degree in exercise physiology from the University of Central Florida and a doctoral degree in toxicology from USF.
We must continue to support one another for the future of our community. We need to see more African American leaders coming into the Haitian community, not just during election time but throughout the year. We need to see more solid commitment on the part of the Haitian community also to join different causes in the African American community. These are the only ways we can overcome in this struggle for equality. If we continue to treat our political interests as separate entities, we will never get to partake of the ftuits of democracy. Concerned citizens and political officials in both communities need to let people know that we don't have a Haitian/African American problem. I would hope that the Haitian community can realize that just because Mr. Duke, an African American, was defeated by Mr. [Joe Celestin], a Haitian, that Haitians are not "better" or "tougher" or "stronger" than the African American community. Likewise, the African American community needs the growing Haitian vote in the future. Haitian and African American people are one race, living through different cultural lifestyles. It's okay to have different lifestyles, as long as we respect each others' differences, without animosity or violence. For instance, the Latin community is comprised of Spanish-speaking people from different countries: Cuba, Colombia, Puerto Rico, Guatemala, Nicaragua, etc. Does anyone think that these groups are in complete harmony with one another? The answer is no. The different Spanish-speaking groups do not like one another that much but, in reality, when it comes to standing up for a common cause you see them marching side by side, taking pictures with each other and voting for each other.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
99 p., Describes the co-occurrence of substance use and sexual activity behaviors among Afro-Caribbean adolescents living in South Florida, with attention to legal status, socio-demographic factors and risk-taking attitudes and behaviors.
There's tendency among some reggae fans to tune out most of today's dancehall deejays, dismissing them as untalented shysters. While that's an essentially justifiable reaction, there are deejays - mostly of the conscious variety - who are worthy of our attention. One in particular is Prezident Brown. Tune out his new release - To Jah Only - and you'll deprive yourself of a relevant body of work that's likely to sway and have you listening for more of this style. To Jah Only is a neat package that adroitly intertwines the traditional with the contemporary. The title track, which leads the album, gently combines slow guitar picks with Nyabinghi drumming, amid Brown's assiduous delivery of some trusty Rasta melodies. The familiar Duppy Conqueror rhythm by Bob Marley is acquired on In This Life, and it's superimposed with a message that counsels mankind about his covetous ways. This theme is also continued with Pomps and Pride. One of the livelier tracks is Micro Chip, and Brown does a nice job keeping pace with a very demanding tempo. But the strongest is undoubtedly Faith - an instant classic that unveils Brown's versatility and true talent. His encyclopedic expressionism sets him apart from the ordinary, and he's truly one of our best links between the past and the present. [Dean Fraser]'s latest album - Retrospect - is a delightfully appetizing reminiscence of classic hits that are masterfully reproduced for everyone's listening pleasure. With 12 tracks, this album takes you back to mento, through ska, roots, and up to the present.
"We're not a Jamaican station. We're not a Trinidadian station. We're not a Bajan [Barbadian] station. We're not an African-American station," [Carl Nelson] says of his station, which broadcasts from Davie, near Fort Lauderdale. "Our target audience is the entire Caribbean [community], and that includes second-generation Caribbean Americans and people [of other nationalities] who like Caribbean-American music." Nature of service "We don't see the radio as a juke box," he says. "We're here to serve the community and just because you put some music on the radio doesn't mean you're serving the community." "Everybody who's advertised with us has reported good results," he says. "That's because they're getting a mix of people. They [reach] people from all the different islands. They get African Americans. They get whites. For them [the advertisers]it's a plus."
Escaped slaves became Spanish Florida's first settlers. They joined refugees from the Creek Nation and called themselves Seminoles which means runaways. Intermixing became so common that they were soon called Black Seminoles. The black Seminoles struck frequently against slave plantations and runaway slaves swelled their ranks. The U.S. government launched three massive war campaigns against the Seminole nation over a period of 40 years. The second war alone cost the U.S. government over 40 million dollars and 1500 soldiers. The Seminoles eventually signed a peace treaty with President Polk which was violated in 1849 when the U.S. Attorney General ruled that black Seminoles were still slaves under U.S. law.
"There was no trial. No formal accusations. They just dumped all of the prisoners like animals into a cage," [Jan Mapou] recalls. "they stripped us and then crammed 14 of us into a small cell. We had no idea if we would ever see our families again. We had no idea if we would even be alive from one second to the next." Tell no one "When I first started working with Jan Mapou and the Sosyete Koukouy, I knew very little about the meanings of the daces I was performing," says Nancy St. Leger, who is now the dance troupe's choreographer. "Mapou opened me up to the significance of each dance. He didn't want the dance troupe to perform anything we didn't understand." "What Mapou is promoting through his work is not just Haitian culture but what Haitian culture represents," says [Yves Colon]. "He keeps alive those ideas of beauty, harmony and black pride which are all a part of what Mapou believes is Haitian culture.
