238 p., Focuses on a strand of fiction and performance whose ambitious aesthetic aims both work within radical ethnic movements and exceed the identitarian strictures associated with these movements. Black Arts/Black Power, the American Indian Movement (AIM), and the multiethnic Third World Strike were profoundly transnational and cross-racial in their theory and practice. Shows how writers working within and after these movements developed experimental forms and figures that navigate between particular ethnic identities and a universalizable collective political subject. Drawing on a long-standing body of work that has shown the inseparability of politics and aesthetic form, I place revolutionary nationalist aesthetics in dialogue with a recent theoretical tradition that has reimagined universalist politics. Traces collaborations between Henry Dumas and Sun Ra, whose play with ontological categories does not easily fit Black Arts's strongly racialized context, through the fraught relationship between Leslie Marmon Silko's Ceremony and AIM's political theater, to more recent retrospective accounts of nationalist movements by Karen Tei Yamashita and Jamaican novelist and anthropologist Erna Brodber.
280 p., Examines how Cubans mobilized the memory of their wars of independence as the symbolic and narrative foundations of their nationhood. Argues that the creation of a set of heroes, icons, and parables was crucial to consolidation of the Cuban republic and to the establishment of political and racial norms that sustained it. Cuban independence was threatened from its outset by the prospect of U.S. intervention. In this context, securing political stability and social unity became matters of national survival. The sanctification of national heroes enabled Cubans to demonstrate the historical legitimacy of their fragile republic, and Cubans circulated narratives emphasizing the cooperation of black and white Cubans in the anti-colonial struggle to deny and forestall conflicts over racial inequality.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
303 p, A book containing over 500 rare photographs which give a visual picture of a Caribbean society in the process of change in the years after Emancipation.
Examines group consciousness among people of African descent in Miami-Dade County, Florida, and its possible impact on their political participation. Using an original survey of over one thousand respondents, the authors question whether African Americans and black ethnics (Africans, Afro-Caribbean Americans, Afro-Cuban Americans, and Haitians) possess a shared group consciousness and, if so, why. Second, does group consciousness or socioeconomic status most influence the political participation of our respondents? The authors find that these groups have a common consciousness because of their skin color, experiences with discrimination, common interests, similar ideological views, and leadership preferences.
266 p., The premise of this research rests on the idea that race, class and gender are all central to the immigrants' experience and that assimilation into the dominant culture is influenced by the immigrants' national origin, the immigrants' gender and his or her family's socioeconomic status. employ the Children of Immigrants' Longitudinal Study to determine the assimilation patterns of second-generation immigrants from Cuba, Dominican Republic, Haiti, Jamaica and the West Indies to the United States.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
289 p., Traces expressions of both aesthetic and experiential transcolonial black politics across the Caribbean world, including Hispaniola, Louisiana and the Gulf South, Jamaica, and Cuba.
Seventy-two Jamaican migrants left yesterday afternoon on the Ascania for Britain. The majority are joining relatives in England. Others are going directly into jobs there. The Ascania arrived yesterday morning from England and docked at No 3 Pier. Two hundred and thirty-six Jamaicans, who had been resident in Britain, returned home on the ship yesterday morning.
From earthquakes, hurricanes and fires to Olympic glory and Independence, The Gleaner started chronicling Jamaica's roller-coaster history ride in 1834, and has had a front-row seat at every major event since. The Honourable Roy McNeill, minister of home affairs, announced yesterday that he has refused the application of the Reverend Clennon King, a United States citizen, for political asylum in Jamaica. McNeill, according to the official statement, considered King's application and reached the decision that his case is not one that qualifies for political asylum. King, of Albany, Georgia, arrived in Kingston last month and asked for political asylum from what he describes as insidious persecution and official harassment in the United States.
From earthquakes, hurricanes and fires to Olympic glory and Independence, The Gleaner started chronicling Jamaica's rollercoaster history ride in 1834, and has had a front-row seat at every major event since. BARCLAYS BANK DCO announced today that to mark the emergence of Jamaica as an independent nation in the Commonwealth, it was as a gift to the Caribbean island an X-ray machine, an electro-cardiograph machine and other equipment for a children's hospital. VARIOUS COMPLAINTS of unfair treatment by certain sections of the police have been lodged by Jamaicans with the London High Commission. One distinct case was brought to the attention of Jamaica's prime minister, Sir Alexander Bustamante, who immediately Save instructions to the amaican Migrant Service to engage legal representation, at a cost to the Jamaican Government, of up to three hundred pounds.
