"You must understand that we are very different in Cuba," insisted Gabriel Molina Franchossi, director of Gramma newspaper, the official organ of the communist party in Cuba. "To Afro-Cubans, big lips and big backsides are objects of beauty. To us, such images represent the feminine ideal." Afro Cubans also seem naive. Cubans are fond of saying that Fidel Castro abolished racism when he came into power 40 years ago, as though this can be accomplished by a simple decree. What they really mean, of course, is that Castro outlawed discrimination And again, who am I to say he hasn't? In the United States, discrimination didn't become illegal until the mid-60s when Congress passed a series of civil rights laws effecting voting rights, equal employment, and fair housing. By 1968, Richard Nixon was ending a wave of white backlash into power and the process of undermining those gains began. Blacks appear to have had a different experience in Cuba, where better than 40 percent of the population is either Black or mestizo (mixed) and where a fair percentage of those who are considered "white" acknowledge some degree of African or mestizo blood in their heritage. "We in Cuba are not so easily categorized as in the United States," said Reynaldo Calviac Lafferte, director of the International Press Center. He pointed to a wall in his office. "In the same family, there are some who are as white as that wall." Then he slapped his patent leathers. "And there are some who are as black as my shoes. For us, race is not an issue like it is for you."
Except for inroads made in the first 10 - 15 years after the revolution, what is black has been heavily stereotyped; and nowadays there are no black actors to speak of on Cuban television, which is easy to see by tuning in. [Alden Knight] is best - known for his performance poetry - especially that of Cuba's mulatto National Poet, the late Nicols Guill'en our kind of Langston Hughes, the two of them having been contemporaries and friends. He regrets that it makes little sense in 1995 to perform Guill'en's classic 1964 poem of social redemption for the black Cuban: "Tengo [I have] is the sum total of what was achieved in this country for blacks, for the poor... and now it's been lost. I have said that when that poem can be read again in all honesty. We shall have regained what we had won by the end of the 1960s. When we were poor but equal. She and her sisters - three doctors and a philologist who specializes on Africa - were known since they were little as the daughters of Lilliam and Unan Emilio. The four were born and raised in Santiago de Cuba, the island's second and most Caribbean city, renowned for its history of rebellion, heroism and hospitality, as well as its more predominantly black population.
