This is a narrative of Jamaica told on a musical crescendo, no 'bungar.ung'. Just the words of Jah. `Equal Rights: Reggae and Social Change' is seeking to transform the bare walls of the Jamaica Music Museum, stringing together notes of this truly Jamaican genre. "Since reggae is Jamaican, we have used it to convey the message," said Herbie Miller, director/curator of the Jamaica Music Museum. "It is a journey highlighting socio-political and spiritual sensibility." The realm of the `happy go lucky' Jamaica transitions to Ska depicting plain and modern art building the crescendo of social change as the legendary Bob Marley and the Wailers resonate 'Get Up Stand Up', evolution of musicians on the frontline of social change.
When Tappa Zukie asked "People are you ready?" They chorused "Blow! Oh Lord!". Two of the Tamlins came out in locks-shaking, dancing fashion, settling to sing harmony on How I Wish It Would Rain to the third member's lead vocals. With a cry of "non-stop!" they went from Go Away Dream to Ting A Ling, Wildflower among the ending slow songs. Admiral Bailey brought up intermission with a crowd-pleasing mixture of humour, 'Delia move' and 'Samurai' dancing and Winston 'Merritone' Blake playing Long Story and Left With A Broken Heart in the break. Then it was singers all the way to the end, Gregory Isaacs delivering Number One and Rumors, Night Nurse coming before a Ragamuffin encore. Johnny Clarke's hit machine rolled out Move Outta Babylon and None Shall Escape the Judgement. Culture's Two Sevens Clash and I'm Not Ashamed came before Conqueror.
[Carolyn Cooper] said there is a dissonance between "the brand" and the "representation of the brand" and that "until in Jamaica we come to acknowledge Jamaica is not an "out of many, one people" country but it is really a country of black people with small numbers of ethnic minorities, we're not going to get the brand right." 'At Independence, Emancipation Day just disappeared. Because if you have Emancipation Day, then you have to ask yourself what you were emancipated from. And then certain people would have to say, well, we were mixed up in it. Slavery, that is. So Emancipation Day was just erased,"she said. "But Garveyites and Rastafari kept the tradition of celebrating Emancipation Day. And it's now back on the national calendar. We even have an Emancipation Park!" "This book is a celebration of Brand Jamaica, the authentic Brand Jamaica and I hope that as you read it, you'll understand why I'm so passionate about the subject," said Cooper as she ended her remarks.
Rise Up channels the spirit of the elders with cameos by Fred Locks, Sly Dunbar. Robbie Shakespeare, Lee 'Scratch' Perry, Toots Hibberts and Brushy One String among others. Industry stalwarts like producers Mikey Bennett and Carlo Less are among those narrating the story which highlights the unique musical quality of Jamaicans.
Morgan Heritage though, on their part, should bring out tons of new fans to the festival because of their legendary musical accomplishments. The band of brothers, sisters and other relatives, off springs of famed singer Denroy Morgan, have been able to comfortably navigate the various manifestation of reggae, from dancehall to lovers rock and roots rock. Along the way they have scored numerous hits gleaned from their several well written albums. They include Reggae bring back love, Don't haffi dread, She's still loving me, Nothing to smile about and Down by the river.
Roots reggae artist, Chronixx and his band, Zinc Fence Redemption were the victims of a "dread and terrible lie" during the last week of their "Dread and Terrible" European tour. In an online release from Platinum Camp, that stated that Chronixx and members of his band were beaten by French police using "baseball bats" when they "refused to wear armbands" at the Paris show on April 6, was the cause of many fans taking to social media to express their concern. The Dread & Terrible Tour has continued with successful performances by Chronixx, Dre Island and Kelissa in various cities around Europe every night since the April 6 date in Paris."
The group (JFS), which was founded by the late, Dr. Olive Lewin, OD, one of the world's foremost musicologist and authority on Jamaican folklore, will launch Jamstar's ambitious World Series of Concerts project with three performances in New York City from October 11 thru' 13. Performances are scheduled for St. John's University (Queens), On Friday, October 11; Hunter College (Manhattan), on Saturday, October 12; and Calvary Tabernacle, Hempstead, on Sunday, October 13. Billed as "The Jamaican Folk & Reggae Essay Competition", the project is a Grade based initiative, targeting Elementary through High School age students, and focuses on exploring aspects of Jamaica's Folk and Reggae music. Two of the recommended reference texts are books by the late Dr. Olive Lewin, "Rock It Come Over, The Story of Jamaican Folk Music", and "Roots of Reggae" by Dr. Ptah Shabazz.