"Gonaives... my heart is being torn apart, too many mothers have lost too many children," [Wyclef] sings in Creole, while distributing WFP food rations. "We wanted to capture the raw essence of Gonaives and give people inspiration. Not like: 'Be sad for us,' but asking how can we as people really help Gonaives," he said.
"`Faith in the Future' is a clarion call to these churches to look at the shape of faith in UK society - and the role they will play in it." A total of 60 speakers will appear in more than 50 sessions. Speakers will include Rev Arlington Trotman, Bishop Joe Aldred, Bev Thomas, Bishop Paul Jinado, Bishop John Sentamu, Les Isaacs and Bishop John Francis. "Over the last 50 years, the black majority churches have transformed the shape of churchmanship in the UK," he said, "as black churches represent many of the most vibrant and fastest growing congregations in the country.
"Back then," says [Glean], "Irie! was probably the first black dance theatre company to actually work to reggae music on stage, and to use traditional Caribbean folk dances as part of a performance piece. And everybody was really excited by it." "Our rehearsal period was like a training session, and so by the time you got to present the work on stage, the poor dancers were still trying to get to grips with the different styles and how they could fuse that with their contemporary training," recalls Glean. "So sometimes the essence of the artistic content could easily get lost." "You have to know about the culture and you have to have some kind of understanding and experience in order to execute the dance forms, because it really it about style," she explains. "And if you're talking about the traditional forms as well, it's about the traditional forms as well, it's about religion, it's about the rituals - you need to know all of that because that's the only way you'll be able to represent it fully and truthfully on stage. Everything is integral."
In celebration of the 50th anniversary of the arrival of the Windrush, Prince Charles, in collaboration with the Windrush Foundation, invited 30 of the surviving settler s, their friends and family and a whole host of stars and celebrities to a reception at St James' Palace last Thursday. Luminaries
Curiously about the origins of the game has compelled the Anglo-Caribbean committee to begin research into one of the most enthralling pastimes. "We are looking to find out just where the game began," adds [Linton Blake]. "We are also trying to establish who the oldest player is so we can find out about the game's roots." "Most of the women are more passionate than the men," [Winston Bennett] admits. "They just want to be seen as another player and treated as such. It can be embarrassing for some of the chaps when they play against women and lose. It's wonderful to see!" Winston says: "There are some young fellows out there playing at the moment but unfortunately they don't take it seriously like the middle-aged or the older generation. We need good sponsorship to give them the interest. Without the money we can't really go into the fields we would like to."
A number of high-profile posts were to follow and Guyana's independence in 1966 brought fresh demands on his time. First he became Attorney-General and then, after a series of ministerial positions during the late '60s and early '70s, he was appointed Secretary-General of the Commonwealth. It has been speculated that his relentless pursuit for just international relations, and for trade based on justice, ultimately hindered his chances of being appointed Secretary-General of the United Nations. But to this day, Sir Shridath presses on. Sir Arthur Lewis IN 1979, Sir Arthur Lewis became a standard-bearer for Black intellectuals. He became the first person from the Caribbean ever to gain a Nobel Prize, winning the award for economics in 1979.
"But equally important, it was a celebration of the showbiz pioneers who met the standards of excellence that have enabled the Black community to lead the world of entertainment in Britain today." Songstress Beverley Knight, who became the envy of every woman in the land when she belted her heart out alongside sexy soulster Lynden David Hall, described the evening as "an history event." Roachford said: "I was honoured to be asked to perform."
Biographer Delia Jarrett-Macauley stumbled across Marson's name while doing research for another book. The book has been well-received throughout Britain. Copies have sold out during every one of Jarrett-Macauley's book-signings and scheduled talks. "I saw this clipping that said, `Una Marson, the well-known BBC producer is now on holiday in Jamaica.' And I said: `What! You mean we had a black woman producer at the BBC as early as 1945 and we don't know about it.' I decided her story must be known," she said. Marson joined the BBC in 1936 and made an immediate impact, rising rapidly through the ranks. In 1942 she became the West Indies producer and created the Caribbean Voices programme, which won exposure and respectability for Caribbean writers and poets.
"The children were killed so that they wouldn't grow up and become criminals, that's the philosophy of the people in power here. Being Black is as negative as it gets - it's a lot different from living here in England. I was really surprised when I came to Britain, to see Black people on TV, driving nice cars and dressing in fine clothes - it was a real surprise. In Brazil that would not happen. The only people you would see doing well would be the people with blue eyes and blonde hair." Earlier this year the Brazilian Centre for Expression of Marginalised Populations (CEAPM) planned to sue Transport Minister Eliseu Padilha after ahe made a racist remark about one of Brazil's national heroes, footballer Pele. A Brazilian Embassy spokesman told The Voice that it's not racism but rather the distribution of wealth that puts Blacks on the bottom of the pile. The spokeswoman said: "I am not denying that racism exists in Brazil but racism is a universal thing. The UK is more racist than Brazil. The main problem with my country is an economic/class one - the Black people do not have the economic muscle to climb to the top. The roots of this are deep in our history.
"The Black church is the success story of the arrival of the Empire Windrush. Therefore the church should not be an appendix to the celebrations but at the heart of it." So says Angela Sarkis, chief executive of the Church Urban Fund and vice-president of the African Caribbean Evangelical Alliance (ACEA). Pauline Graham, the coordinator of the churches' Windrush celebration, is encouraging congregations, is encouraging congregations to write in for a Windrush Information Pack. * For further information, contact Ms Graham at ACEA, Whitefield House, 186 Kennington Park Road, London SE11 4BT, or telephone 0171-735 7373.
