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2. Conjuring freedom: Reconstructions and revisions of neo-slave narratives
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- Montgomery,Christine Lupo (Author)
- Format:
- Dissertation/Thesis
- Publication Date:
- 2012
- Published:
- California: University of California, Santa Cruz
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Journal Title:
- ProQuest Dissertations and Theses
- Notes:
- 391 p., Argues for a revisionist periodization of neo-slave literature as well as a reorientation away from a US-based literary history that has been dominated by the mode of realism and toward a more comparative view defined by the geography, history, and aesthetics of the Caribbean. The canon of slave narratives was first dominated by the assumption both of narrative as the major and sometimes only genre of slave writing and of a linear temporality emplotting the journey from slavery to an attenuated freedom. In contrast, most twentieth-century neo-slave narratives rethink the genre from the twin standpoints of temporality and narratology: how both the "neo" and "narrative" descriptors have produced an entrenched and unnecessarily restrictive view of this evolving archive.
3. Constructing Afro-Cuban Womanhood: Race, Gender, and Citizenship in Republican-Era Cuba, 1902--1958
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- Brunson,Takkara Keosha (Author)
- Format:
- Dissertation/Thesis
- Publication Date:
- 2011
- Published:
- Texas: The University of Texas at Austin
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Journal Title:
- ProQuest Dissertations and Theses
- Notes:
- 344 p., Explores continuities and transformations in the construction of Afro-Cuban womanhood in Cuba between 1902 and 1958. A dynamic and evolving process, the construction of Afro-Cuban womanhood encompassed the formal and informal practices that multiple individuals--from lawmakers and professionals to intellectuals and activists to workers and their families--established and challenged through public debates and personal interactions in order to negotiate evolving systems of power. The dissertation argues that Afro-Cuban women were integral to the formation of a modern Cuban identity. Studies of pre-revolutionary Cuba dichotomize race and gender in their analyses of citizenship and national identity formation. As such, they devote insufficient attention to the role of Afro-Cuban women in engendering social transformations.
4. Creolizing Carmen: Reading Subversive Afra-Hispanic Performances of Maria Antonia and Isabel "La Negra" in the Caribbean
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- Sanko,Nadia Sophia (Author)
- Format:
- Dissertation/Thesis
- Publication Date:
- 2010
- Published:
- California: University of California, Los Angeles
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Journal Title:
- ProQuest Dissertations and Theses
- Notes:
- 221 p., Carmen (Mérimée 1845, Bizet 1875), the story about the (in)famous Gypsy dancer from Spain, is the second most adapted narrative in the history of world cinema, with over eighty global versions officially recognized to date. Despite the global reach of the Carmen phenomenon, many scholars claim that this tale has hardly been reworked in Spanish America and never in the Caribbean. Following Carmen from Spain to Spanish America, the author shows how the template of Carmen (a love story that reveals the racio-ethnic and gender stratification in Spain) has been artfully but unsuspectingly reappropriated and "creolized" in postcolonial Cuba in the controversial film María Antonia (1991) by Afro-Cuban filmmaker Sergio Giral, based on the landmark play María Antonia (1964) by Afro-Cuban playwright Eugenio Hernández Espinosa.
5. Jamaica Kincaid: A multi-dimensional resistance to colonialism
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- Stennis,Leon E. (Author)
- Format:
- Dissertation/Thesis
- Publication Date:
- 2012
- Published:
- Pennsylvania: Indiana University of Pennsylvania
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Journal Title:
- ProQuest Dissertations and Theses
- Notes:
- 274 p., Argues that colonialism, or its impact, as a relation of power is threaded through the related themes of gender/sexuality, the environment, and global capitalism in Jamaica Kincaid's work. The author is interested in how the intersection of these themes enhance Kincaid's critique of the impact of colonialism on the people of Antigua and the Anglophone African Caribbean.
6. La Representacion de Raza y Genero en la Poesia de las Poetas Negras y Mulatas Cubanas (1960s--1980s)
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- Aleman,Lidice (Author)
- Format:
- Dissertation/Thesis
- Language:
- Spanish
- Publication Date:
- 2013
- Published:
- St. Louis, Missouri: Washington University in St. Louis
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Journal Title:
- ProQuest Dissertations and Theses
- Notes:
- This study examines the identity categories of gender and race in the Cuban context of the first thirty years of the Revolution and focuses on black and mulata women, in which both categories converge. In this work I analyze the literary discourse of the Afro-Cuban female poets between the 1960s and 1980s and discern the role of self-representation that each of these poets constructs within the framework of "being black" or "mulata" woman. Also, since gender and race are redefined by the dominant power, this project analyzes the political hegemonic discourse of the period in relation to race and gender, and illuminates its role in preserving racial stereotypes as well as the patriarchal normatives of gender.
7. Novels of decolonization in modernity: Malambo, Um defeito de cor, and Fe en disfraz
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- Souza Hogan,Maria Leda (Author)
- Format:
- Dissertation/Thesis
- Publication Date:
- 2014
- Published:
- Massachusetts: University of Massachusetts Amherst
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Journal Title:
- ProQuest Dissertations and Theses
- Notes:
- 243 p., Analyzes three novels by contemporary female Caribbean and Latin American Afro-descendent writers of the diaspora: Peruvian Lucía Charún-Illescas' Malambo (2001), Brazilian Ana Maria Gonçalves' Um defeito de cor (2006), and Puerto Rican Mayra Santos-Febres' Fe en disfraz (2009). In these texts, the old and the new intermingle in the space of the narrative. The colonial past is reexamined and reconstructed out of the need to understand its reminiscences into the present and the necessity to transform the future.
8. The Erotics of Ache: The Social Experience of Pleasure in Afro-Cuban Ritual Performance
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- Valladares,Amy Daken (Author)
- Format:
- Dissertation/Thesis
- Publication Date:
- 2013
- Published:
- New York: New York University
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Journal Title:
- ProQuest Dissertations and Theses
- Notes:
- 277 p., Afro-Cuban (Santería ) drummers are trained ritual specialists in minority religious communities, initiated through secret rites into homosocial community groups. Historically, women and non-heteronormative men have been excluded from playing consecrated batá drums. This dissertation investigates how drummers construct the sensual and physical essence of musical sound around gender and sexual hierarchies in Afro-Cuban diasporic contexts (Havana, Miami, New York, and New Jersey). Drummers possess a theory of power based on concepts of how the feeling of aché (from Yoruban language, "the power to make things happen") is channeled during performance. Considers colonial-period Afro-Cuban social societies (cabildos ) as a source of possible residual patriarchal authority in the current male drumming cult community.
9. The Impact of Race, Class and Gender on Second-Generation Caribbean Immigrants' Assimilation Patterns into the United States
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- John,Mauricia Alissa (Author)
- Format:
- Dissertation/Thesis
- Publication Date:
- 2012
- Published:
- Ohio: The Ohio State University
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Journal Title:
- ProQuest Dissertations and Theses
- Notes:
- 266 p., The premise of this research rests on the idea that race, class and gender are all central to the immigrants' experience and that assimilation into the dominant culture is influenced by the immigrants' national origin, the immigrants' gender and his or her family's socioeconomic status. employ the Children of Immigrants' Longitudinal Study to determine the assimilation patterns of second-generation immigrants from Cuba, Dominican Republic, Haiti, Jamaica and the West Indies to the United States.