1 - 9 of 9
Number of results to display per page
Search Results
2. Constructing Afro-Cuban Womanhood: Race, Gender, and Citizenship in Republican-Era Cuba, 1902--1958
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- Brunson,Takkara Keosha (Author)
- Format:
- Dissertation/Thesis
- Publication Date:
- 2011
- Published:
- Texas: The University of Texas at Austin
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Journal Title:
- ProQuest Dissertations and Theses
- Notes:
- 344 p., Explores continuities and transformations in the construction of Afro-Cuban womanhood in Cuba between 1902 and 1958. A dynamic and evolving process, the construction of Afro-Cuban womanhood encompassed the formal and informal practices that multiple individuals--from lawmakers and professionals to intellectuals and activists to workers and their families--established and challenged through public debates and personal interactions in order to negotiate evolving systems of power. The dissertation argues that Afro-Cuban women were integral to the formation of a modern Cuban identity. Studies of pre-revolutionary Cuba dichotomize race and gender in their analyses of citizenship and national identity formation. As such, they devote insufficient attention to the role of Afro-Cuban women in engendering social transformations.
3. Guilt trippin' and the mothering of Black boys in Toronto
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- Fraser,Nancy (Author)
- Format:
- Dissertation/Thesis
- Publication Date:
- 2011
- Published:
- Canada: York University
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Journal Title:
- ProQuest Dissertations and Theses
- Notes:
- 199 p., In the last decade, increasing media attention has been given to the rise of delinquency and crime among Black male youth in Canada's urban centres. The dominant explanation offered for this situation is the prevalence of fatherlessness in the Black community. This popular discourse assumes both that Black/Caribbean families must be dysfunctional if fathers are not present, and that single Black mothers do not have the requisite skills or commitment to prepare their young men to become responsible adults.
4. Fantasies of maternal unity in twentieth- and twenty-first-century African diasporic women's fiction and science fiction
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- Lillvis, Kristen (Author)
- Format:
- Dissertation/Thesis
- Publication Date:
- 2011
- Published:
- Kansas: University of Kansas
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Journal Title:
- ProQuest Dissertations and Theses
- Notes:
- 241 p., Explores the power children realize in the past, present, and future from their real or imagined connections to their absent mothers in twentieth- and twenty-first-century African diasporic women's fiction, science fiction, and film. Much of the existing scholarship on the diasporic mother focuses on her place in history, yet texts by Toni Morrison, Gloria Naylor, Gayl Jones, Octavia E. Butler, Nalo Hopkinson, Sheree Renée Thomas, Nisi Shawl, and Julie Dash suggest through their depictions of the lasting links children create with their mothers that the power of the diasporic mother and, by proxy, the black family and community extends into the future.
5. Alternative communities in Caribbean literature
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- Meriwether,Raffaella A. (Author)
- Format:
- Dissertation/Thesis
- Publication Date:
- 2011
- Published:
- North Carolina: The University of North Carolina at Greensboro
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Journal Title:
- ProQuest Dissertations and Theses
- Notes:
- 168 p., Explores Caribbean literature that contests the privileging of nation and diaspora community models, and instead presents the spontaneous and productive formation of communities through praxis. Conceptualizing community through this lens challenges systemic emphases on unity, shared history, and shared identity, while it simultaneously incorporates difference at its very foundation. The author draws on Caribbean and postcolonial theory, subaltern studies historiography, and feminist theory in my analysis of Caryl Phillips's The Atlantic Sound , Erna Brodber's Louisiana, Zee Edgell's Beka Lamb , and Maryse Condé's I, Tituba, Black Witch of Salem.
6. Mediating Blackness Afro Puerto Rican women and popular culture
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- Quinones Rivera,Maritza (Author)
- Format:
- Dissertation/Thesis
- Publication Date:
- 2011
- Published:
- Illinois: University of Illinois at Urbana-Champaign
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Journal Title:
- ProQuest Dissertations and Theses
- Notes:
- 147 p., Discusses how blackness, femaleness and Puerto Ricanness (national identity) is presented in commercial media in Puerto Rico. National identity, no matter how differently defined, is often constructed through claims to heritage, "roots," tradition, and descent. In the western world, these claims, almost inevitably allude to questions of "race." In Puerto Rico, it is the mixture of the Spanish, the Taino Indian, and the African, which come to epitomize the racial/traditional stock out of which "the nation" is constructed, defended, and naturalized. This mixture is often represented by images, statues, murals across the island that display the three racialized representatives, as the predecessors of the modern, racially mixed Puerto Rican people. In their portrayals of black women, figures as Mama Ines (the mammy) and fritoleras (women who cook and sell codfish fritters), Caribbean Negras (Black Caribbean women) contemporary media draw upon familiar representations to make black women bodies intelligible to Puerto Rican audiences.
7. Identity in motion: The symbiotic connection between migration and identity in four 20th century novels by African diasporic women writers
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- Sampson-Choma,Tosha Kabara (Author)
- Format:
- Dissertation/Thesis
- Publication Date:
- 2011
- Published:
- Lincoln, Nebraska: The University of Nebraska - Lincoln
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Journal Title:
- ProQuest Dissertations and Theses
- Notes:
- This dissertation examines the migratory experiences of the protagonists from four African diasporic novels: Fruit of the Lemon by Andrea Levy (1999), Kehinde by Buchi Emecheta (1994), Breath, Eyes, Memory by Edwidge Danticat (1994), and The Color Purple by Alice Walker (1982). When analyzed comparatively these texts demonstrate that a completely integrated identity (that merges two cultures) is contingent upon a return to the protagonist's cultural roots either by the protagonist herself or someone who is closely aligned with her. The protagonist or her representative must travel to her ancestral homeland and in the process develop a value system that reflects the duality of her identity.
8. Woman radical, woman intellectual, woman activist: The political life of Pan-African feminist Amy Ashwood Garvey
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- Swaby,Nydia (Author)
- Format:
- Dissertation/Thesis
- Publication Date:
- 2011
- Published:
- New York: Sarah Lawrence College
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Journal Title:
- ProQuest Dissertations and Theses
- Notes:
- 95 p., While Pan-Africanism is largely understood as Black men's fight for colonial liberation and state independence, women played an important and often unheralded role. This thesis challenges the masculinist history of Pan-Africanism using Amy Ashwood Garvey's life to highlight women's intellectual and political contributions to the movement. The author discusses Ashwood Garvey's role in co-founding the Universal Negro Improvement Association (UNIA) and her work with the International African Friends of Abyssinia (IAFA), the International African Service Bureau (IASB), the Council of African Affairs, and the Fifth Pan-African Congress held in 1945. In addition to being an ardent Pan-Africanist, Ashwood Garvey was also a feminist who fought for women's equality through a wide range of anti-imperialist activities. Using her life as a lens through which to examine feminism's intersection with antiracist and anti-imperialist activism, this thesis underscores the fact that, for women throughout the African diaspora, struggles around race, gender, and colonialism operate in a symbiotic relationship to one another.
9. The representation of otherness in Tituba, I, Tituba...Black Witch of Salem and Veronica in Waiting for the happiness by Maryse Conde
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- Tchomba,Ikanga Ngozi za Balega (Author)
- Format:
- Dissertation/Thesis
- Publication Date:
- 2011
- Published:
- Louisiana: University of Louisiana at Lafayette
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Journal Title:
- ProQuest Dissertations and Theses
- Notes:
- 250 p., This dissertation has focused on the intertextual relationship between Tituba in I, Tituba...Black Witch of Salem and Veronica in Waiting for Happiness by Maryse Condé, primarily around different figures of otherness such as birth, race, sexuality, and space in which Tituba and Veronica are victims, according to their respective reference groups. Tituba is a child born out of wedlock because Abena, her mother, was raped by an English sailor on the Atlantic coast. This would rightfully translate into the hatred her mother has for her. Veronica was born into a family of two girls when her parents were in fact expecting a boy. Race and space are also lacking elements with the protagonists. This would explain their spatial instability depending on the course of the novels. Enslaved in different families, Tituba was imprisoned for witchcraft in Salem and was later hanged in her native Barbados due to lack of real space. Veronica on the other hand sought asylum in France where she returns after her disappointment of wanting ancestral roots in Africa.