"With the exception of the local corner bar, which they could patronize, Black Cubans did not share recreational activities with white Cubans. They were not hired as clerks or even as menial help in the restaurants. There were no Black Cuban entrepreneurs, except for a tailor, a barber and a very successful dry-cleaning establishment," Grillo says in the book. "In the main, Black Cubans and white Cubans lived apart from one another in Ybor City." While slavery may have been different in Cuba, Afro-Cubans wound up with a social status not much different from that of African Americans. Even Blacks who were financially successful had to deny their ethnicity in order to be accepted within Cuba's white society: "In Cuba, affluent Black Cubans moved within the society of the affluent. 'Es Negro, pero es Negro blanco' ['He is a Black man, but he is a white Black man'] was an expression I heard often."
Latin Americans of African descent, often referred to as Afro-Latinos, synchronized their African traditions with Latin culture, creating enduring African roots throughout Latin America. For example, Cuba's Santeria religious tradition traces its roots to Nigeria's Yoruba. Mofongo, Puerto Rico's savory fried plantain dish, is of West African origin. And the Dominican Republic's signature sound, merengue, developed from strong African rhythms. Today, New York City is the home of most of the United States' 4 million Afro-Latinos. In addition to being the center of Puerto Rican and Dominican culture in the country, New York City is also where Afro-Latinos from throughout the Diaspora reside.
Vesey knew the horrors of slavery first hand. Since he had lived in St. Dominique as a youth, he followed the events there with particular interest. Men from the area and surrounding plantations would attack the city, take control of the guardhouse and block the bridges and roads, killing every white person in sight.
During the convention, the Department of Tourism will sponsor a special Founders' Reception at the African-American Museum, where the 44 men and women who gathered to form NABJ at a historic meeting on Dec. 12, 1975, in Washington, D.C, will be honored.
Gates notes the striking difference between the numerous statues of European colonists, and even the whitening of the image of Dominicans who have any African heritage in the Dominican Republic, and the statues of Black Haitian independence leaders throughout Haiti.
HH4H has been developed as a national fundraising event throughout the hip-hop community set for Saturday, January 30, when the youth and hip-hop communities of 32 major cities will host events to raise money, relief and awareness for the loss and suffering in Haiti.
Connecting media workers and the hospitality industry of the Caribbean with communications professionals in the African-American community is expected to generate powerful synergies, as two productive, professional cultures enrich journalism and public relations in both geographic areas while simultaneously increasing African-American travel to the Caribbean region.
Ever since Dr. Daniels founded the Haiti Support Project and recently revived IBW (where he is president), his ingenuity in forging ties between Black America and the island nation have led to a number of magnificent events, including several cruises, tours, relief efforts, charitable donations, and adopting a sister city, Milot in northern Haiti, which provided his patrons an opportunity to visit Sans Souci and the mighty fortress built by King Christophe.
The month's activities organized include a Global Reggae Conference hosted at the University of the West Indies' Mona Campus, featuring musician Gilberto Gil, now Brazil's minister of culture, and a Reggae Film Festival hosted by Jamaica's Ministry of Information and Culture.
