"FANM is a grassroots organization," Bastien said. "When people come here they come here with great hope that we will be able to attend to their needs, but oftentimes because of our financial situation we are unable to." In addition to the information that will be provided at the open house, FANM will present a sampling of Haitian cuisine, Haitian art and a musical presentation by children from the Haitian community. The event is free, but FANM will accept donations to further the work of the organization.
"My first thought of Miami was `this is a big city,'" the 17-year-old told The Miami Times. "It was such a beautiful place, but I experienced culture shock once I was here." "Education is more advanced in Haiti and you have to be disciplined," he said. "That played a great part in my success in high school." "I am getting a great opportunity I wouldn't have in Haiti," he said. "I plan to make the best of it."
"[Daniel Beauxhomme] comes from the lighter skin mixed class," said Kevin Johnson, who plays Daniel. "It's the story of two different people from two different worlds falling in love. Fate brings them together and fate takes them apart. It's similar to `Romeo and Juliet.'" "In Haiti, it's very confusing. It's fuzzier than here (the United States). A lot of it has more to do with money and name than this," said Shirley Julien, who is Haitian. "And that's what the musical focuses on. Ti Moune means `little orphan' in the play. But, in Haiti it means `little person.' That drives the theme more because she doesn't have a real name. In Haiti every little kid is called ti moune." "I don't think that there is that much of a difference," said Julien, who is also the musical's choreographer. "It's just highlighted more. The division is put on us and we accept it. It's up to us to say `I don't believe this' and take time to learn about Haitians, Jamaicans and Trinidadians. Our commonalities are so much stronger and deep inside of us."
"We provide this venue as a linkage for Haitians throughout the diaspora," President of the Haitian Heritage Museum Eveline Pierre told The Miami Times. "It's about educating the public about the phenomenal contributions Haitian Americans have made as a people, which will create a legacy for future generations." "In the building's design, we want it to reflect Haitian designs, and for that we want community imput," said [Serge Rodrigue].
[Teresa Heinz Kerry] shared the stage with two Haitian women, Aderadle Jules, 56, who had one family member to die in the floods and is missing seven, and Desita Fevrier, 52, who lost all eight of her family members in the Gonaives flood. Heinz Kerry first addressed the audience in French, which the predominately Creole speaking audience responded to favorably. Heinz Kerry said she did not know how the Haitian community was set up to handle disasters of the magnitude of Tropical Storm Jeanne. After acknowledging that she was not familiar with every Haitian issue, Heinz Kerry expressed concern about the United States' repatriation policy regarding Haitians. "I don't honestly know what the policy is for Haitians and Cubans when they come by boat to this country. What I don't understand is why do Haitians once they land have a different kind of treatment where they are held up for so long," Heinz Kerry pondered, as she drew applause from the audience.
Although the program has a long, academic-sounding formal tide, "Sugar, Slavery and Imperialism: How Sugar Drove the Forced Migration of Africans to the Caribbean and the Impact of the Haitian Revolution," it is an informal presentation aimed at general audiences. This is a rare opportunity to learn more about Haiti's former status, as the richest, rather than the poorest, country in the hemisphere; about Haitian participation in the American Revolutionary War and aid to other independence struggles; about the brilliant diplomatic and military leadership of Toussaint L'Ouverture, Dessalines, Petion and others, who defeated the forces of Napoleon, Britain and Spain together; about how the Haitian victory caused Napoleon to sell the vast Louisiana territory to the United States, and about the great heroism of ordinary Haitians that was required for victory to be won. (The Louisiana Purchase, which will be commemorated on specially minted nickel coins in 2004, also opened the way for an expanded domestic "slave trade" within the United States, which was even larger than the former Atlantic trade).
3) Spanish and other European immigrants that were encouraged to settle in Cuba as per attempts to "bleach" the island. This was the first time anything like this was seriously proposed since Haiti earned its independence. This is important to note because the "spectre" of Haiti loomed ominously over Spanish and Cuban whites for a century and most of their policies towards Cuba's Blacks were reflective of it. The following year, the Cuban Ward Connerly of his day, Martin Morúa Delgado was elected Speaker in Cuba's Senate. The year after that, Morúa introduced legislation that became known as the Morúa Amendment and it outlaws the PIC because is was based on race and racism was supposedly eradicated in Cuba. Just before the vote was taken to enact this bill into law, Estonez and other PIC leaders were imprisoned and were kept in jail until after the law was passed.
The celebration officially started with a combination press conference and job fair at FIU's Biscayne Campus. Co-sponsored by Miami-Dade County and the South Florida Workforce, the FIU event featured a luncheon hosted by Emiline Alexis of the County Mayor's office. The job fair was held in honor of Haitian Labor Day and was held in the lobby and patio of FIU's Wolfe Center. Sunday was an especially busy day with a book reading at the Mapou Bookstore in Little Haiti, a complimentary buffet featuring foods (and music) from all nine of Haiti's Departments (provinces), and an infectious and intoxicating display of Haitian drumming and vocal performances called "Zaka" in the Design Destrict.
Protesters gathered at the corner of 64th Street and 22nd Ave., carrying yellow placards reading "Stop Using Black Men as Target Practice," and "Free Haitian Refugees." "If we can't vote people in the positions to do the right thing then we have no other alternative than to protest," said [Lorraine Goddard], who held a sign that read "No Justice, No Transit Tax." "We demand that the police who have been guilty of killing our youth be prosecuted and put in jail," said Mel Reeves, an organizer with the coalition. "We also demand that they free the Haitian refugees who are being held in the Chrome detention center."
