"The political discourse surrounding the terms postcolonial, post-colonial or Post Colonial is one that tries to define the experiences and the quality of life that former colonies share. Do the colonies that speak the same language share a common experience that differs from colonies that do not share that language? Did the colonies that speak one of the European languages such as French, Spanish or Dutch inherited from their colonizers experience a colonization that is in any way different from the colonies of the British Empire? If not what are the commonalities?";
Yun examines a rare communal biography by an Afro-Chinese Cuban, Antonio Chuffat Latour. She maintains that his work is a valuable document of the Chinese experience in the Caribbean and argues for the inclusion of Africanity and blackness as part of a reconsideration of what constitutes a Caribbean Chinese identity.;
The critical importance of the artist to the anti-slavery agency of the enslaved, is observable in one verse of a song by the enslaved in the USA: Got one mind for the boss to see;Got another mind for what i know is me. The Jamaican expression for this thought is 'plie fuul fi kech wiz'. The philosophy of praxis which these two examples denote ,are rooted in an aesthetcism in which performance became a critically important modus operandi for Black agency during ,and indeed after slavery; The social being the enslaved described themselves to be having one mind for the slvaeholder to see and another mind for what they knew themselves to be , denotes a social being who consciously constructs a (feigned) personality out of the cultural and intellectual fabric of white supremacy to protect and to mask the real personality and intentions of the enslaved through performance rituals of flattery, mimicry and deception and other forms of creative improvisational socio-political acts of becoming.;
