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    Start Over Subject Term Caribbean area Journal Title Callaloo

    112. Shutting Up the Subaltern: Silences, Stereotypes, and Double-Entendre in Jean Rhys's Wide Sargasso Sea

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    Collection:
    Black Caribbean Literature (BCL)
    Contributers:
    Mardorossian,Carine Melkom (Author)
    Format:
    Journal Article
    Publication Date:
    1999
    Published:
    Baton Rouge: Callaloo
    Location:
    African American Research Center, Library, University of Illinois at Urbana-Champaign
    Journal Title:
    Callaloo
    Journal Title Details:
    22(4) : 1071-1090
    Notes:
    "This paper explores Wide Sargasso Sea's articulation of race and gender in the context of a debate that has been waged within feminist postcolonial studies around the representation of racial otherness." (author)

    117. That Fire of Great Dramas

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    Collection:
    Black Caribbean Literature (BCL)
    Contributers:
    Cairo,Edgar (Author)
    Format:
    Journal Article
    Publication Date:
    Summer, 1998
    Published:
    Baton Rouge: Callaloo
    Location:
    African American Research Center, Library, University of Illinois at Urbana-Champaign
    Journal Title:
    Callaloo
    Journal Title Details:
    21(3) : 689-692

    119. The Rise of Son and the Legitimization of African-Derived Culture in Cuba, 1908-1940

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    Collection:
    Black Caribbean Literature (BCL)
    Contributers:
    Chambers,Glen A. (Author)
    Format:
    Journal Article
    Publication Date:
    2007
    Published:
    The Johns Hopkins University Press
    Location:
    African American Research Center, Library, University of Illinois at Urbana-Champaign
    Journal Title:
    Callaloo
    Journal Title Details:
    30(2) : 497-507
    Notes:
    "The rise of the Afro-Cuban musical genre commonly known as son is representative of Cuban society’s ability to affirm through art its primary cultural influences: Europe and Africa. Despite the successful transculturation within the music, however, the events surrounding the creation and acceptance of son reiterate the struggle between Cuban elites and the masses to define lo cubano. In this essay, I will show how the social and political conditions under which son became a representation of popular culture in Cuba served as a catalyst for the affirmation of Cuba’s African roots, despite attempts on the part of the elite to exclude Afro-Cubans from establishing any connection to Cuban national identity." --The Author