Who is it that speaks for our private face? Those of us who take communion at Mass on Sunday morning still intoxicated with the echoes of beating drums from the Vodun ceremony the night before. You know the saying: We are 95% Roman Catholic and 95% percent Vodun. What is it that makes a former Catholic priest more apt to run a country than say, a Vodun priest, a Hougan? To most of us, this would be an atrocity. The country would certainly fall into the wrath of hell if this were to take place. We are trying to move forward not backward, the voices of decency would say. And besides, you would not find a well-educated, well-traveled Vodun priest in the mountains of Ayiti. Ayiti's vision is found in Vodun. Not the religion that it has become, but the very essence of the spirituality. It is the essence of the Ayitian people. After all, these were the conditions under which Ayiti gained its independence. Our country was formed in a ritual - a ritual that called on the guidance and protection of our ancestors who survived the journey from Guinea, as they say in Vodun, and those who were indigenous to the land. The essence of Vodun is to give honor to those whose shoulders we stand on. It is a reverence to the unseen forces that truly determine our fate as a country and it is a time-tested method handed down to us to ensure a successful life.
The presenters discussed topics ranging from democratic reform and transition in Haiti to health concerns in the Haitian diaspora. One presentation by Lunine Pierre-Jerome, Ed.D., titled "Identity Development among Low-Literacy Haitian Adolescent Newcomers: Collective and Integrative View of the Self" was particularly poignant. Dr. Pierre-Jerome's case study explored how low-literacy Haitian adolescent newcomers identify themselves; their perceptions of family, peer relationships, community and schooling; and their opinions about attending a literacy program.
Mr. [Kevin Murray] explained that one of the best ways to help the people of Haiti is to buy pigs for them. This is what the money they raised will be used for. The students learned that not too long ago in Haiti all the pigs were lost due to a flu outbreak. He told the students that in Haiti these new pigs would be bred. Some of the animals would be used for food and others would be sold to help them pay for shelter and clothing. He thanked them for their help.
Pierre Toussaint, considered the first American Black saint, is also of Saint-Domingan origin. He was born in 1778 of Haitian slaves in Saint-Domingue, and was owned by a well-educated French family, the Bérards, who brought him to New York with them in 1797 when they fled the slave uprising. While living with the family as a domestic slave, Toussaint learned to read and write and also learned how to be a hairstylist. It is said that he developed a devoted clientele among the city's social elite and was allowed to keep his earnings. Mrs. Bérard freed Toussaint before she died in 1807. Upon Mrs. Bérard's death, Toussaint married a woman from Haiti and, since they had no children of their own, they took in orphans, refugees, and other unfortunate people. In fact, he co-founded with Elizabeth Seton one of the first orphanages in New York City, and helped with fundraising for the city's first cathedral.
"Lakou Trankil" is the work of an artist quietly reflecting on the personal, the political, the light and heavy sides of Haitian life. The album's lead song, "Lakou", blends a soulfully acoustic reggae with thoughtful metaphors that borrow from the wisdom of Haiti's country folk. Belo's strong baritone seems fashioned after Bob Marley's own and this distinct quality is definitely heard when he wails "dread natty dread..." in that song's plaintive chorus. The R&B-styled "Tenza", a song about love gone bad, displays the artist's consistent ability to lend complex melodic verses into simple chord progressions. The playful "Luv to luv" features the kind of vocal precision and acrobatics that have made a star of Jamaican artist Buju Banton and is backed by a masterful blend of acoustic guitars and percussion.
Wyclef Jean - the trailblazing hip-hop artist and Haiti's answer to Jamaica's Bob Marley and Ireland's Bono - last month unveiled an ambitious new philanthropic effort aimed at bringing the power and wealth of his own celebrity - and the collective muscle of the Haitian Diaspora - to bear to help his native land. Wyclef christened the emerging non-profit "Yéle Haiti" during a tour of Haiti last month, in which he announced plans to help fund the reconstruction of schoolhouses and a vast scholarship program, among other initiatives.
