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    Start Over Journal Title Black Music Research Journal

    3. Black Kings: Aesthetic Representation in Carnival in Trinidad and London

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    Collection:
    Black Caribbean Literature (BCL)
    Contributers:
    Alleyne-Dettmers,Patricia Tamara (Author)
    Format:
    Journal Article
    Publication Date:
    Fall, 2002
    Published:
    Chicago: Center for Black Music Research - Columbia College Chicago
    Location:
    African American Research Center, Library, University of Illinois at Urbana-Champaign
    Journal Title:
    Black Music Research Journal
    Journal Title Details:
    22(2) : 241-271
    Notes:
    Presents an analysis of different celebratory movements in African-derived Carnivals focusing on Carnival in Trinidad and its relocation to London

    5. Nou Kwe nan Sentespri' (We Believe in the Holy Spirit): Music, Ecstasy, and Identity in Haitian Pentecostal Worship

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    Collection:
    Black Caribbean Literature (BCL)
    Contributers:
    Butler,Melvin L. (Author)
    Format:
    Journal Article
    Publication Date:
    Spring, 2002
    Published:
    Chicago: Center for Black Music Research - Columbia College Chicago
    Location:
    African American Research Center, Library, University of Illinois at Urbana-Champaign
    Journal Title:
    Black Music Research Journal
    Journal Title Details:
    22(1) : 85-125

    6. Bi-Musicality' in the Cultural Configurations of the Caribbean

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    Collection:
    Black Caribbean Literature (BCL)
    Contributers:
    Davis,Martha Ellen (Author)
    Format:
    Journal Article
    Publication Date:
    Fall, 1994
    Published:
    Nashville, TN: Fisk University
    Location:
    African American Research Center, Library, University of Illinois at Urbana-Champaign
    Journal Title:
    Black Music Research Journal
    Journal Title Details:
    14(2) : 145-160
    Notes:
    "I suggest, based on a brief longitudinal observation of some twenty-five years, that both African- and European-derived musical styles and genres, in their forms truest to Old-World heritage, are both on the wane; and a fusion, a more populist and urban 'creole' music, is on the rise." (author)

    7. Steelband 'Own Tune': Nationalism, Festivity, and Musical Strategies in Trinidad's Panorama Competition

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    Collection:
    Black Caribbean Literature (BCL)
    Contributers:
    Dudley,Shannon (Author)
    Format:
    Journal Article
    Publication Date:
    Spring, 2002
    Published:
    Chicago: Center for Black Music Research - Columbia College Chicago
    Location:
    African American Research Center, Library, University of Illinois at Urbana-Champaign
    Journal Title:
    Black Music Research Journal
    Journal Title Details:
    22(1) : 13-27

    9. Creolite and the New Cultural Politics of Difference in Popular Music of the French West Indies

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    Collection:
    Black Caribbean Literature (BCL)
    Contributers:
    Guibault,Jocelyne (Author)
    Format:
    Journal Article
    Publication Date:
    Fall, 1994
    Published:
    Nashville, TN: Fisk University
    Location:
    African American Research Center, Library, University of Illinois at Urbana-Champaign
    Journal Title:
    Black Music Research Journal
    Journal Title Details:
    14(2) : 161-178
    Notes:
    Examines the genesis of the French Antillean concept of Creolite that emerged in the 1980s and shows "how, through zouk, the popular music that emerged from Guadeloupe and Martinique in the early 1980s, Creolite is being defined, (re)presented, and negotiated." (author)

    10. Composing A Haitian Cultural Identity: Haitian Elites, African Ancestry, and Musical Discourse

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    Collection:
    Black Caribbean Literature (BCL)
    Contributers:
    Largey,Michael (Author)
    Format:
    Journal Article
    Publication Date:
    Fall, 1994
    Published:
    Nashville, TN: Fisk University
    Location:
    African American Research Center, Library, University of Illinois at Urbana-Champaign
    Journal Title:
    Black Music Research Journal
    Journal Title Details:
    14(2) : 99-118
    Notes:
    "Traces the history of Haitian classical or "learned" music from the eighteenth century to the middle of the twentieth century by examining the state's role as a patron to the arts, the development of the educational system, the call for a national Haitian music in the early twentieth century, and individual composer's biographies." (author)