African American Research Center, Library, University of Illinois at Urbana-Champaign
Journal Title Details:
2 discs. 33 1/3 rpm. mono. 12 in;
Notes:
An anthology of drumming from the continent of Africa, from South America, the West Indies and North America. Contains drum rhythms from the Bahamas, Brazil, Congo, Cuba, Equatorial Africa, Haiti, Jamaica, Madagascar, Nigeria, Puerto Rico, Ruanda, South Africa, Surinam, United States, and the Virgin Islands.; Title on container of disc 2: Afro-American drums.; Disc 1: Ruanda - The watutsi -- Ruanda - The watutsi -- French Equatorial Africa - The baya -- French Equatorial Africa - The badouma -- Nigeria - The yoruba -- Nigeria - The yoruba -- Belgian Congo - The bambala -- Belgian Congo - The bambala -- South Africa - The zingili -- Madagascar - The mahafaly. Disc 2: The Bahamas - Jumping dance drums -- Cuba - Djuka dance drums -- Cuba - Lucumi drums -- Haiti - Quitta seche dance drums -- Haiti - Juba dance drumming -- Jamaica - Camina drums -- Brazil - Drum rhythms for the deity Eshu -- Brazil - Drum rhythms for the deity Ogoun -- Virgin Islands - Bamboula dance drums -- Surinam - Djuka drums -- United States - Jazz drumming -- United States - Street band drumming.; Played by native musicians.; Recorded in various places by Leo Verwilghen, André Didier, Moses Asch, Melville J. Herskovits, and others.;
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
CD, Album, Snowboy has crafted his own distinct rhythmic identity using a mixture of three rhythms that make a kind of big groove sound on four congas. It comes from a style of bata [sacred Afro-Cuban] drumming called chachalokafun, rumba, and mozambique.
Papiamento, English, French Creole, Garifuna, Haitian Creole and Spanis
Publication Date:
1999
Published:
New York, NY: Putumayo World Music
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
1 sound disc : digital ; 4 3/4 in., Includes: Promo bia (4:39) (Aruba) / E.Q.O. -- Come again (4:37) (Anguilla/St. Thomas) / Osha -- Movin' to the top (3:34) (Jamaica) / Don Carlos & Gold -- La biguine des enfants du Bon Dieu (4:24) (Martinique) / Kali -- Nabi (4:32) (Belize) / Andy Palacio -- Lina (4:51) (Haiti) / Beethova Obas -- Bai drecha bo bin (6:11) (Curacao) / La Perfecta -- Nati (3:56) (French Guyana/Martinique) / Chris Combette -- Tre d'ynion (5:19) (Martinique) / Claude Vamur -- In mi system (4:22) (Barbados) / Krosfyah
Jenkins,Carol (Author) and Jenkins,Travis (Author)
Format:
Sound Recording
Language:
$geng
Publication Date:
2007
Published:
New York: Ethnic Folkways Records
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
Recorded by Carol and Travis Jenkins in Belize in 1981., 1 sound disc (50 min.) : digital ; 4 3/4 in., Songs and dances for the ancestral feast, Dabuyabarugu ; sung in Garifuna (Black Carib) with acc. of traditional percussion instruments.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
Smithsonian/Folkways: CD SF 40412 (on container: SF CD 40412)., sound recording; 1 compact disc, Field recordings recorded, compiled, and annotated by Kenneth Bilby in 1977-1978 and 1991, in Moore Town, Charles Town, Scott's Hall, and Accompong.
Gillis,Verna (Produced and Recorded by) and Price,Richard (Annotated by)
Format:
Sound Recording
Publication Date:
1981
Published:
New York: Lyrichord
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
Recorded in 1977., 1 sound disc: 33 1/3 rpm, stereo. ; 12 in, Ritual songs and folk dance music including the traditional folk tale performance ; sung in Saramaccan ; with talking drum (apinti). Contents include: Music of the Saramaka Maroons, Suriname. Includes: Sêkêti singing -- Apínti talking drum -- Alesingô (pole dance) -- Apúku -- Sêkêti drumming -- Kóntu folktale -- Adunké singing -- Vodu Papagádu (snake god) ritual
Chicago, IL: Columbia College Chicago, Center for Black Music Research
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
Many of the song texts are in creole or ritual languages., 214 sound discs (digital) + 2 v. of log sheets, Field recordings, primarily of music, made as part of Bilby's ethnographic and ethnomusicological fieldwork. Jamaica and French Guiana are particularly well represented, but the collection also includes recordings from Antigua, Bahamas, Belize, Colombia, Costa Rica, Dominica, Guadeloupe, St. Vincent, Suriname, Tobago, Trinidad, and the U. S. Virgin Islands, as well as Cuban music recorded in New York.
Olsen,Dale A. (Editor) and Sheehy, Daniel Edward (Editor)
Format:
Sound Recording
Publication Date:
2000
Published:
New York: Garland Pub.
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
Articles originally published in: The Garland encyclopedia of world music, v. 2, South America, Mexico, Central America, and the Caribbean. 1998., 431 p. + CD-ROM., This collection of articles provides a comprehensive overview of the musics of Latin America, covering such regions and cultures as Warao, Q'ero, Argentina, Brazil, Peru, Venezuela, Mexico, Guatemala, Panama, Cuba, Dominican republic and many others. It includes a 73 minute audio CD of commercially unavailable recordings.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Journal Title Details:
Compact disc.; 1 sound disc : digital ; 4 3/4 in
Notes:
Recorded 1949-1987. Program notes by Kenneth Bilby and James McKee, bibliography, and discography (19 p.) included., Includes: Garifuna: Belize -- Indians of the Chocó: Panama/Columbia -- Shipibo: Peru -- Asháninka: Peru -- Aluku: French Guiana -- Wayana: Suriname -- Maroons: Jamaica.; Recorded 1949-1987.; Music from the rainforests of South America & the Caribbean
