Secondary source, About García Márquez: The Man, the Reporter, the Writer
Publication Date:
November, 2002
Published:
Champaign-Urbana, IL
Location:
Library, University of Illinois
Related Item Details:
0(9) : 15
Notes:
Vivir para contarla, or Living to Tell the Tale, is the first of three volumes of Gabriel García Márquez's autobiography and memoirs. More than a million copies have been published in Latin America and Spain, and at the end of the year it will be published in English, German, and Italian. This article provides basic information of Vivir para contarla and gives background information about Gabriel García Márquez.
Secondary source, About García Márquez: The Man, the Reporter, the Writer
Publication Date:
February, 1996
Published:
Bogotá, Colombia
Location:
Library, University of Illinois
Related Item Details:
2-3
Notes:
Merengue: Ya te vas Sierva María/Te vas pa" tierra lejana/ Te vas morenita mía/Sin saber como me dejas|Paseo: De Puerto Antioquia pa" arriba hasta Yarumal/cuando salió Germán Serna en correduría/apenas que recordaba a Sierva María/me daban aquellas ganas de regresar.
Secondary source, About García Márquez: The Man, the Reporter, the Writer
Publication Date:
October, 2002
Published:
Bogotá, Colombia : El Tiempo
Location:
Library, University of Illinois
Notes:
Viewed on January 24, 2008.||The newspapers of the time announced that the first Colombian to speak to Gabriel García Márquez was the president at the time, Belisario Betancur on the morning of the twenty first of October, 1982. The tale says that it was García Márquez who congratulated the president.
Secondary source, About García Márquez: The Man, the Reporter, the Writer
Publication Date:
May, 2003
Location:
Library, University of Illinois
Notes:
Viewed on 24 January, 2008.||The woman who inspired García Márquez's Angela Vicaro's character in Chronicle of a Death Foretold, Margarita Chica Salas, died of a heart attack at the age of 78 in Sucre, Colombia.
Secondary source, About García Márquez: The Man, the Reporter, the Writer
Publication Date:
April, 2003
Location:
Library, University of Illinois
Notes:
Viewed on 24 January, 2008.||Fidel Castro has been losing the intellectuals who stood behind him as moral support. Such people are Carlos Fuentes and Eduardo Galeano, who condemn the Cuban leader, although he's an old friend. García Márquez stands by Castro's side and by the Cuban revolution.
Secondary source, About García Márquez: The Man, the Reporter, the Writer
Publication Date:
October, 2002
Published:
Bogotá, Colombia : El Tiempo
Location:
Library, University of Illinois
Notes:
Available with subscription.|Gossaín begins by making an analogy to a story of an indigenous nomad who was traipsing across the jungles of the Guaviare, in Colombia, barefoot. Then he proceeds to talk about the use of language and imagination in the works of Gabriel García Márquez. Later in the article, Gossaín proceeds to take quotes from García Márquez's Living to Tell the Tale and analyzes the choice of words and diction.
Secondary source, About García Márquez: The Man, the Reporter, the Writer
Publication Date:
October, 2002
Published:
Bogotá, Colombia : El Tiempo
Location:
Library, University of Illinois
Notes:
Available with subscription.||This is an editorial essay which provides some information about Gabriel García Márquez's memoirs, Vivir para contarla and includes some details provided in the book. It also states how not only is Gabriel García Márquez making his family proud, but he is also the pride of Colombia, of those who speak his same language, of those who also share the same kind of job. Vivir para contarla is not only the life of Gabriel García Márquez, but also the story, an allegory of the Colombia full of violence, magic, solitude, austerity, horror, creative spirit, and ghosts.
Secondary source, About García Márquez: The Man, the Reporter, the Writer
Publication Date:
September, 2002
Published:
Madrid, Spain : Diario El País
Location:
Library, University of Illinois
Related Item Details:
Cultura
Notes:
The author mentions a brief synopsis of some anecdotes of Gabriel García Márquez as a child, as told in Vivir para contarla. Also, the author talks about this set of memoirs, the years that have progressed as a brief chronology, and quotations from family members.
Secondary source, About García Márquez: The Man, the Reporter, the Writer
Publication Date:
unknown
Published:
Barranquilla, Colombia : Universidad del Atlántico
Location:
Library, University of Illinois
Related Item Details:
1(4)
Notes:
Viewed on 24 January, 2008.||Only in the last decades of the past century have Europe and the United States begun to notice Latin American literature, by reading it through the works of Borges and García Márquez. In literature only with García Márquez, the US and Europe noticed that in Latin America there was something to read, even to imitate. Almost all of the tales in "Veinticinco cuentos Barranquilleros" unites the city of Barranquilla and its surroundings. They are not stories of authors from Barranquilla, but stories of authors who reside there, or at one point resided there. However García Márquez is not included among them. Maybe it is because he never wrote a story with Barranquilla as the background.
Secondary source, About García Márquez: The Man, the Reporter, the Writer
Publication Date:
February, 2004
Published:
La Paz, Bolivia : El Diario
Location:
Library, University of Illinois
Notes:
The promotion of the character who inspired El coronel no tiene quien le escriba of the 1982 Nobel laureate Gabriel García Márquez was not granted by a Colombian court, who denied a judicial action interposed for that purpose, the press in Bogotá announced. Nicolás Márquez Mejía, maternal grandfather of the writer, and who inspired this novel, waited for more than fifteen years for a letter that confirmed his military pension, but now he will continue without the official payment and without promotion.
Secondary source, About García Márquez: The Man, the Reporter, the Writer
Publication Date:
June 7, 2000
Published:
Los Angeles, CA : La Opinión Digital
Location:
Library, University of Illinois
Notes:
Viewed on 24 January, 2008.|Mexican ventriloquist, Johnny Welch, states that he was the author of the poem that has circulated as a farewell poem written by García Márquez, who was ill at the time. Such poem was denounced as apocryphal and García Márquez declared that the only thing that worries him is that his readership may think that he would write such a thing.
Secondary source, About García Márquez: The Man, the Reporter, the Writer
Publication Date:
October, 2002
Published:
Madrid, Spain : El País
Location:
Library, University of Illinois
Notes:
Viewed on 24 January, 2008.||"La vida no es la que uno vivió, sino la que recuerda y cómo la recuerda para contarla" (Life is not what one lived, but how one remembers, and how one tells the tale). This is how Gabriel García Márquez begins the first volume of his memoirs, Vivir para contarla, whose world premiere is the 9th of October in Barcelona, Bogotá, Buenos Aires, and Mexico City. Meanwhile, Alvaro Mutis, friend of the Colombian Nobel, and one of the few people that has read the manuscript, has no doubt in his mind that he has "read a classic."
Secondary source, About García Márquez: The Man, the Reporter, the Writer
Publication Date:
September, 2002
Published:
La Paz, Bolivia : El Diario
Location:
Library, University of Illinois
Related Item Details:
Sección Cultural
Notes:
The American filmmaker, Francis Ford Coppola, readily admitted that he would like to make a film about the Liberator, Simón Bolívar. And for that, it could be based on a novel by the Colombian author, Gabriel García Márquez, particularly The General in his Labyrinth, with the help of the author himself.
Secondary source, About García Márquez: The Man, the Reporter, the Writer
Publication Date:
January, 2004
Published:
Columbia, MO : Ciberayllu
Location:
Library, University of Illinois
Notes:
Viewed on 24 January, 2008.|Hood recollects that in 1986 when he began writing his doctoral dissertation about the narrative work of Gabriel García Márquez, he traveled to Colombia to experience first hand the land that had given birth to García Márquez and his work.
Secondary source, About García Márquez: The Man, the Reporter, the Writer
Publication Date:
February, 2004
Published:
La Paz, Bolivia
Location:
Library, University of Illinois
Related Item Details:
Sección Cultural
Notes:
Four citizens of Colombia have asked by means of judicial action that the man who inspired Gabriel García Márquez's No One Writes to the Colonel, Nicolás Márquez Mejía, maternal grandfather of Gabriel García Márquez, be promoted from rank of colonel to general.
Secondary source, About García Márquez: The Man, the Reporter, the Writer
Publication Date:
July-September, 2003
Published:
World Literature Today
Location:
Library, University of Illinois
Related Item Details:
23-27
Notes:
"The two most successful novelists in the history of Colombian literature, both in terms of critical acclaim and in terms of prizes won, are two old friends, Álvaro Mutis and Gabriel García Márquez, who have known each other for more than half a century."
Secondary source, About García Márquez: The Man, the Reporter, the Writer
Publication Date:
August, 2003
Published:
México DF, México : El Universal
Location:
Library, University of Illinois
Notes:
Reports that the translation in Portuguese of Vivir para contarla, the first volume of the memoirs of the Colombian Nobel laureate, Gabriel García Márquez, will arrive in Brazilian bookstores by early September, 2003.
Secondary source, About García Márquez: The Man, the Reporter, the Writer
Publication Date:
July, 2003
Published:
México DF, México : La Jornada
Location:
Library, University of Illinois
Related Item Details:
Sección Cultura
Notes:
With 2,000 books, mostly novels, some donated by the Cultural Economic Fund, the first Latin American library in Canada opened in Quebec about a month ago. It was baptized with the name of the Colombian Nobel prize winner, Gabriel García Márquez.
Secondary source, About García Márquez: The Man, the Reporter, the Writer
Publication Date:
July-September, 2002
Published:
Barranquilla, Colombia : La Casa de Asterion
Location:
Library, University of Illinois
Related Item Details:
3(10)
Notes:
Viewed 24 January, 2008.|In a conversation of paradoxical permanence with the last foreign member of the Barranquilla group, Jacques Gilard, the narrator Marvel Moreno affirms: In Barranquilla everything disappears. The humidity and the termites eat the books, objects, and furniture. The houses are abandoned or collapse by themselves. There is no sense of continuity of the type that emanates from European cities, no trace of the men who worked to create the world into which we were born.