-, Jamaica, in 2007, led the call for the UN to erect a permanent memorial, which UN Secretary General Ban Ki-moon said would acknowledge the struggles of the millions of Africans who, over more than three centuries, 'were violently removed from their homelands, ruthlessly abused and robbed of their dignity'. As was the case in 2007, Jamaica took centre stage on Day One of the 68th session of the UN General Assembly. The country's permanent representative to the UN and chair of the Permanent Memorial Committee, Ambassador Courtenay Rattray, was the one who announced the Ark of No Return', done by Roger Leon, as the winning design.
Vesey knew the horrors of slavery first hand. Since he had lived in St. Dominique as a youth, he followed the events there with particular interest. Men from the area and surrounding plantations would attack the city, take control of the guardhouse and block the bridges and roads, killing every white person in sight.
Denying Haiti credit where credit is due is an established tradition. In 1893, at the end of the century that started with Haitian Independence and the Slave Trade Act, the orator, statesman and emancipated slave Frederick Douglass told an audience at the Chicago World's Fair how Haiti "taught the world the danger of slavery and the value of liberty." He pointed out that: The world had a chance to recognize Haiti three years ago, during the celebration of Haiti's bicentennial. But once again, Haiti was penalized. On the big day, January 1, 2004, Thabo Mbeki, President of the most powerful African nation, South Africa, came to celebrate. But the former slaveholding nations, led by the United States, boycotted the events, and forced the less powerful countries of Africa and the Caribbean to stay away. Instead of sending congratulations to the Haitian people's elected representatives, the United States sent guns and money to those trying to overthrow the government. When the international spotlight came to Haiti in 2004, it was to witness the return to dictatorship rather than to celebrate freedom from slavery.
Traditional Maroon culture was, however, determined to be in need of safeguarding and protection because of several factors. Chief among these was the fact that transmission of traditional knowledge from elders to younger generations was not taking place on the scale it was used to and the fact that migration patterns saw large numbers of Maroon youth leaving the traditional sites of settlements. In response, UNESCO was petitioned to assist in safeguarding traditional Maroon culture in Jamaica, in particular, that of the Maroons of Moore Town, who were deemed to be the most remote. In November 2003, UNESCO declared the Maroon Heritage of Moore Town as a Masterpiece of the Oral and Intangible Heritage of Humanity. This action facilitated the implementation of measures geared toward documenting, for posterity, traditional Maroon cuisine, language, the Kromanti play and the craftsmanship associated with the creation of tools and implements such as their unique Prentin drum, fishpots, spears and the abeng.