The genesis of these carnivals carries the intent of resisting on some level, by Caribbean migrants, the otherwise alienating conditions of life in migration, to "carnivalise" these landscapes with some of the joy and space commensurate with Caribbean carnival. Indeed, Caribbean intellectual contributions have had successful impact on the development of U.S., European and African thought. Still, the Caribbean in most imaginings, and in particular to those who do not know it well, is the place of "sun and fun," a vacation land devoid of serious engagement with the world. Caribbean carnival then is the climax of all those "sun and fun" constructions. Yet, there is a history and politics to carnival - a "carnival of resistance" beyond the outer face of "carnival of tourism" - that demands exposure.
"It is a play about two people who love each other," explains Greta Mendez, the play's Trinidadian-born director. "The external elements of racism have affected their relationship. "As the battle is raging in Trinidad, [Elvira] and [Rohan] are raging. They are having their own coup and trying to work it out." "I call it the battlefield of heart and soul" "The divide-and-rule syndrome is still happening and the play is saying, `Let us look at that'." * Coups and Calypsos runs until February 28 at the Oval House, 52-54 Kennington Oval, London SE11 at 7.45 pm each night. Tickets from £5.50; box office: 0171-5827680.
