Considers the second part of Eric Williams book Capitalism and Slavery, where he argues that "Britain's changing attitude to slavery and the slave trade was essentially a function of her changing economic situation and interest." Looks at the Williams' "interpretation of Pitt's conduct, of the abolition of the British slave trade in 1807, and of Palmerston and the suppression of the foreign slave trade."
Balutansky reviews C. L. R. James, the Artist as Revolutionary by Paul Buhle, C. L. R. James's Caribbean edited by Paget Henry and Paul Buhle, The C. L. R. James Reader edited by Anna Grimshaw, Special Delivery: The Letters of C. L. R. James to Constance Webb, 1939-1948 edited by Anna Grimshaw and C. L. R. James: His Intellectual Legacies edited by Selwyn R. Cudjoe and William E. Cain.;
"C.L..R. James' 1938 seminal text, The Black Jacobins, and Eric Williams' 1944 tour de force, Capitalism and Slavery, constitute much more than foundational works in West Indian nationalist historiography. Both authors, born in colonial Trinidad and writing Caribbean history within its Atlantic context, made significant contributions to development discourse within the traditions of Enlightenment Idealism. As critical realists they considered popular historiography indispensable to any attempt to root philosophical ideals within recognizable terms of everyday living. In The Black Jacobins, James documents the struggles of the enslaved peoples of St. Dominique, the mercantile showpiece of French colonial capitalism in the West Indies for freedom and social justice. In addition, he details the transformation of this successful anti-slavery rebellion into something much more elaborate in terms of Atlantic history--the creation of Haiti, the Caribbean's first nation-state. In Capitalism and Slavery, Williams expands and develops the paradigm of African labor enslavement and European capital liberation, first outlined by James in The Black Jacobins, that became the basis of the revolutionary reorganization of productivity for European economic development." (author)
Kamau Brathwaite 's "Resistance Poems: the Voice of Martin Carter" is also in Stewart Brown's book All Are Involved: the Art of Martin Carter (Leeds: Peeple Tree, 2000), pp. 130-144.
Part of the vision depicted in the novels Middle Passage and Mimic Men is that the image local history is the scenery and landscape. Expresses idea that colonization creates nothing. It is obvious in a place, thrives there then disappears.
The "novel, as a more conscious artifact, is shaped in a more deliberate manner than poetry and revolutionary struggle in the novel is utilized with a well-defined intention. We will demonstrate these contentions by analysing the following novels: Bertene Juminer's Bozambo's Revenge, V. S. Naipaul's Guerrillas, and Alejo Carpentier's Explosion in a Cathedral." (author)
