Presents an article on Jamaican art and the early artistic production of Edna Manley and Albert Huie, two artists that are commonly identified in art historical accounts as pioneers in the development of a national Jamaican art. Problem of race and representation in Jamaica as perceived by Huie and Manley; Character which held a particular representational significance for Huie and Manley; Role of Ethiopianism, Rastafarianism, Garveyism, and cultural nationalism in Jamaica.;
Examines Zora Neale Hurston's work, particularly her collection of folklore and ethnography of the American South, "Mules and Men." Looks at the author's role, the ways the ethnographer inscribes herself into the text, and speculates about Hurston's understanding of the limits of the impersonal researcher.
Discusses the oral and written life histories and other personal testimonies of African Americans. It clears up the realities behind invisible enclaves and spotlight of the immigrant's own history. Professor John H. McWhorter argues that modern America is the home to millions of immigrants who were born in Africa. He notes that their cultures and identities are separated between Africa and the U.S. However, his vision of an unencumbered, native-born black ownership of black is considered optimistic. Transnational identities of immigrants and their children are formed, negotiated and projected primarily within their experiences.
