"[Examines] le développement historique et socio-économique des Caraïbes dans le roman de Paule Marshall: The Chosen Place, The Timeless People (publié en 1963), à travers la relation de deux femmes, l'une noire, l'autre blanche, dont les destins et l'héritage sont liés à l'histoire particulière des relations de genre caractéristiques de l'esclavage et de la vie sur les plantations." (Refdoc.fr)
Considers the second part of Eric Williams book Capitalism and Slavery, where he argues that "Britain's changing attitude to slavery and the slave trade was essentially a function of her changing economic situation and interest." Looks at the Williams' "interpretation of Pitt's conduct, of the abolition of the British slave trade in 1807, and of Palmerston and the suppression of the foreign slave trade."
"C.L..R. James' 1938 seminal text, The Black Jacobins, and Eric Williams' 1944 tour de force, Capitalism and Slavery, constitute much more than foundational works in West Indian nationalist historiography. Both authors, born in colonial Trinidad and writing Caribbean history within its Atlantic context, made significant contributions to development discourse within the traditions of Enlightenment Idealism. As critical realists they considered popular historiography indispensable to any attempt to root philosophical ideals within recognizable terms of everyday living. In The Black Jacobins, James documents the struggles of the enslaved peoples of St. Dominique, the mercantile showpiece of French colonial capitalism in the West Indies for freedom and social justice. In addition, he details the transformation of this successful anti-slavery rebellion into something much more elaborate in terms of Atlantic history--the creation of Haiti, the Caribbean's first nation-state. In Capitalism and Slavery, Williams expands and develops the paradigm of African labor enslavement and European capital liberation, first outlined by James in The Black Jacobins, that became the basis of the revolutionary reorganization of productivity for European economic development." (author)
"[Thomas] Sutpen launches his design with that obliviousness that is American innocence. Once on Haiti, Sutpen disregards the manifest evidence of impending 'slave' revolt and hybrid racial ancestries. Sutpen's famously preserved innocence amounts to the habit of looking without seeing." (author)
