"In this paper the process of creolisation will be considered through analysis of the wills and testaments of African, black and mixed-race women in nineteenth-century Salvador da Bahia, Brazil. As primary sources these will and testaments provide evidence concerning material, social and cultural markers of creolisation." [ABSTRACT FROM AUTHOR];
Examines the meanings of the marvelous in the context of the Afro-Brazilian ritual called the Reinado de Nossa Senhora do Rosário, according to the way it is applied in the song lyrics and in participants’ verbal discourses. Analyses were based on participants’ perspectives about the origin and history of their religious tradition, which is based on their enslaved ancestors’ experiences of pain. Those facts and events still highlight the sense of belonging to this tradition nowadays and make their performative acts meaningful, significant, and thus wonderful., unedited non–English abstract received by RILM] Os significados da ‘maravilha’ no contexto do Reinado de Nossa Senhora do Rosário, tal como o termo é utilizado nos cantos e nas elaborações discursivas dos congadeiros, são aqui abordados a partir da perspectiva desses participantes sobre a origem e o percurso histórico de sua tradição religiosa, calcada na experiencia da dor de seus ancestrais escravizados. Tais fatos e eventos ainda motivam o pertencimento a essa tradição no presente e preenchem de sentido, de significância e, consequentemente, de maravilha as ações performáticas atuais.
A critical analysis of Henry Louis Gates, Jr.'s PBS documentary film series Black in Latin America. The author discusses Gates' exploration of the history of early race mixture, the contemporary valorization of Blackness, and racial inequality in Brazil.
Uprooted Africans brought as slaves to Brazil carried with them a collective memory, including elements of their religion and medicine. The Yoruba orisha and the Christian saints have been thoroughly assimilated; sculptures made in Brazil in the first half of the twentieth century still show clearly the survival of the Yoruba influence combined with Christian iconography. Examples of Shango wands, twin figures (ibeji) and representations of Eshu confirm this conclusion.
Uprooted Africans brought as slaves to Brazil carried with them a collective memory, including elements of their religion and medicine. The Yoruba orisha and the Christian saints have been thoroughly assimilated; sculptures made in Brazil in the first half of the twentieth century still show clearly the survival of the Yoruba influence combined with Christian iconography. Examples of Shango wands, twin figures (ibeji) and representations of Eshu confirm this conclusion.
The article reviews the book "Black Atlantic Religion: Tradition, Transnationalism, and Matriarchy in the Afro-Brazilian Candomblé," by J. Lorand Matory. "My extensive use of superlatives throughout this review should make it clear that I find the book to be invaluable and extraordinarily well researched. With that said, Black Atlantic Religion is not for the reader interested in the spiritual and/or practical side of Candomblé (e.g., practices/rituals, theology, internal hierarchy, etc.). In fact, I would argue that by focusing on the humanity of the practitioners (their interests, desires, strategies, and ideologies), Matory depicts Candomblé more as a political organization than a religious one." --Michael Iyanaga
Blacks; Women; Brazil; South America; Book reviews; PERRY, Keisha-Kkan Y; BLACK Women Against the Land Grab: The Fight for Racial Justice in Brazil (Book)
