Balutansky reviews C. L. R. James, the Artist as Revolutionary by Paul Buhle, C. L. R. James's Caribbean edited by Paget Henry and Paul Buhle, The C. L. R. James Reader edited by Anna Grimshaw, Special Delivery: The Letters of C. L. R. James to Constance Webb, 1939-1948 edited by Anna Grimshaw and C. L. R. James: His Intellectual Legacies edited by Selwyn R. Cudjoe and William E. Cain.;
This work describes cleavages of race, class and caste in the colonial Jamaican company. It tackles the question of the relation between race and culture.
Caribbean women writers such as Erna Brodber and Opal Palmer Adisa often include men in women's liberatory quests as participants. The close connection between sexuality and emotions in this body of writing can be read through a new model of affective feminist reader theory. Women's sexual healing processes in the novels discussed in this article are not solely gynocentric in the Caribbean context: men are often active participants in these processes, and thus also in gender reconfigurations.
Dionne Brand's memoir, A Map to the Door of No Return: Notes to Belonging, touches on the author's childhood in Trinidad and adulthood in Canada but is equally concerned with understanding and intervening in the larger histories among which Brand situates her identity. Her sources are rich and varied, and they can be broken down into three general types: the historical archives written during the 'age of exploration' and the slave trade; the contemporary archives of newspapers and journals; and the creative archive of postcolonial writers, or the neo-archive.
Compares memoirs by Maya Angelou, Barack Obama, and Caryl Phillips. The Caribbean-born Afro-Britain Caryl Phillips published The Atlantic Sound (2000), an account of African diasporic identity that moved between understanding, compassion, and a harsh belief that Africa cannot take on the role of a psychologist's couch, that "Africa cannot cure." These three memoirs offer insight into the complex and highly contested nature of identity throughout the African diaspora, and present very personalized reflections on the geography, politics, and history of Africa as a source of identity and diasporic belonging.
