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    Start Over Format Journal Article Subject Term African influences Subject Term Civilization

    3. <Slavery and Beyond: The African Impact on Latin America and the Carribean edited by Darien J. Davis> (Book review)

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    Collection:
    Black Caribbean Literature (BCL)
    Contributers:
    Smothers,Bonnie (Author)
    Format:
    Journal Article
    Publication Date:
    February 15, 1995
    Published:
    Chicago: American Library Association
    Location:
    African American Research Center, Library, University of Illinois at Urbana-Champaign
    Journal Title:
    Booklist
    Journal Title Details:
    91(12) : 1055
    Notes:
    Review also covers Whither Thou Goest -- Creoles of Color in the Bayou Country by Carl A. Brasseaux and others; and 'Who Set You Flowin'?' by Farah Jasmine Griffin

    9. Born in Africa, Reared in Trinidad: Calypso

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    Collection:
    Black Caribbean Literature (BCL)
    Contributers:
    Slater,Les (Author)
    Format:
    Journal Article
    Publication Date:
    February-March, 2002
    Published:
    New York: Black Diaspora Communications
    Location:
    African American Research Center, Library, University of Illinois at Urbana-Champaign
    Journal Title:
    Black Diaspora
    Journal Title Details:
    23(2) : 38-41
    Notes:
    Explored is the history of Calypso music, which though originating in Trinidad, most likely has its roots among the many African cultural retentions that were transported with the ancestors to the west via the slave trade

    10. Composing A Haitian Cultural Identity: Haitian Elites, African Ancestry, and Musical Discourse

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    Collection:
    Black Caribbean Literature (BCL)
    Contributers:
    Largey,Michael (Author)
    Format:
    Journal Article
    Publication Date:
    Fall, 1994
    Published:
    Nashville, TN: Fisk University
    Location:
    African American Research Center, Library, University of Illinois at Urbana-Champaign
    Journal Title:
    Black Music Research Journal
    Journal Title Details:
    14(2) : 99-118
    Notes:
    "Traces the history of Haitian classical or "learned" music from the eighteenth century to the middle of the twentieth century by examining the state's role as a patron to the arts, the development of the educational system, the call for a national Haitian music in the early twentieth century, and individual composer's biographies." (author)