Located in the eastern Brazilian Amazon roughly three hours by boat from the open Atlantic, the port city of Belém do Pará has been an important point of convergence for transnational flows of commodities, people, and culture, including a vast array of up-tempo Caribbean dance genres known locally as lambada. Since the late twentieth century, inhabitants of Belém and surrounding areas have sought to make a virtue of their liminal position between the hegemonic centers of southeastern Brazil and the circum-Caribbean. This article shows how musicians, dancers, listeners, and culture brokers draw on the local history of Caribbean cosmopolitan musicality to articulate an alternative Amazonian regional identity, one characterized by connectedness and proximity to their Caribbean neighbors rather than by isolation and provincialism. In so doing, the article contributes to the remapping of the cultural contours of Brazil, the Caribbean, the Amazon, and Latin America.
Offers close readings of three texts that foreground the problems, possibilities and struggle involved in forging affective connections across difference between women: Kate Clanchy,What is She Doing Here?, 2008, Jamaica Kincaid,Lucy, 1991a and Marlene Van Niekerk, ‘Labour’, 2004. Argues that the incomplete and partial nature of affective moments represented in these texts signals possibilities for a cautiously redefined idea of affective feminist solidarity as it is mobilized in the intimacy of domestic spaces.
The author discusses the use of slavery reparations as a strategy for economic development. Particular focus is given to the Caribbean Community (CARICOM) Reparations Commission, which was formed in 2013 in order to address the damages caused to Caribbean nations by slavery and racism. The author argues for the creation of a reparations commission in the U.S. The book "Britain's Black Debt" by Hilary Beckles is also discussed.
Examines opinions concerning goals and outcomes in regards to the Jamaican Ministry of Tourism's Ten-Year Master Plan to enhance tourism and increase shared governance. In addition to secondary sources of information, researchers use primary data obtained through an email survey sent to 540 Jamaican managers and executives.
After nearly four decades as an entity, what does Spyro Gyra do for album number 30? The Rhinebeck sessions (Crosseyed Bear), assembled during a three-day recording sprint in the titular small town in the Hudson Valley, boasts the trademark Spyro Gyra sound: catchy melodies by founding saxophonist Jay Beckenstein, urgent funk and fusion grooves, nods to Caribbean rhythms. But there's a looser vibe to the music, more of an anything-goes feel than you find in most of the band's tightly arranged and carefully programmed material. The band explains that the effect was purely intentional.
Examines the extent to which publicly-listed Caribbean companies provide social and environmental disclosures, and the factors related to their disclosure practices. It is motivated by the dearth of studies of social and environmental disclosures among publicly listed Caribbean firms.
