Draws on two Caribbean texts, Anim-Addo's Imoinda: Or She Who will Lose Her Name and Philip's Zong!. Discusses how these two Caribbean texts counterwrite the history of the slave plantation by staging and embodying the work of an affective memory drawn from the history of the black subject as a history of being and community.
Condé and Schwarz-Bart searched to explore the themes of alienation as Martinicans living in a European French society and the search for an identity that typifies the quintessential Caribbean patriarchal culture. The evolution in consciousness of the female and how she sees herself as part of the diasporic dilemma confronting Caribbean society is marked by the almost limited early works by women authors. As women found their voices and led the way for other women, a natural empowerment ensued with new loyalties as generations transcended the effects of colonialism, indentureship, and slavery.
The article critiques several poems by African American poet of the Harlem Renaissance Langston Hughes, including "Ballad of Margie Polite," "Broadcast to the West Indies" and "Good Morning." Hughes' depiction of transnational solidarity between African Americans of Harlem, New York City, New York and blacks of the West Indies, including his use of an imaginary radio broadcast to portray this theme in the poem "Broadcast to the West Indies," is discussed.
Little-reported developments in two Caribbean highlight the current dynamics at play in the complex and often difficult set of relations that exist between the UK and its territories.
Examines the sentiment of love among the indigenous Miskitu people along the Honduran and Nicaraguan Caribbean Coast. The Miskitu are a Native American ethnic group in Central America. The people are primarily of African Native American ancestry. Miskitu women historically have held high positions of power in their matrilocal society. Since the lobster-diving industry began in the 1970s, however, gender and power relations have shifted, rendering women more dependent on men who earn wages. Women's loss of power is not only due to the economic changes, but it is also caused by the ideology and discourse of romantic love in Miskitu society.
This paper begins by reviewing briefly at historical changes in the employment of geospatial technologies in major devastating disasters, including the Sichuan and Haiti earthquakes. It goes on to assess changes in the available dataset type and in geospatial disaster responders, as well as the impact of geospatial technological changes on disaster relief effort. Finally, the paper discusses lessons learned from recent responses and offers some thoughts for future development.
Focuses on the performativity of Black beauty shame as it transforms or intensifies the meanings of parts of the body in Jamaica and its UK diaspora. Uses extracts from interviews with UK Jamaican heritage women. The women’s critique of the shaming event shows that shame is undone through dis-identification as speakers draw on alternative beauty discourses to produce new beauty subjectivities.
The ongoing review of defamation laws by the Jamaican government has sharpened the focus on the need to identify appropriate standards for public officials in libel actions in light of the growing recognition of a need for transparency. This article explores how British, Caribbean and U.S. jurisdictions have sought to manage the paradigm shift between the right to reputation and the need to ensure responsible and accountable governance. The aim is to identify a path of reform for Caribbean defamation law that ensures greater public official accountability and better incorporates twenty-first century notions of democracy.
Focuses on CLADEM, an organization that has been championing women's rights in Latin America and the Caribbean for over 25 years. With the target date of 2015 fast approaching, attention is turning to what will follow the Millennium Development Goals - the global action plan to reduce extreme poverty across the world. Here, Jessica Woodroffe considers what the future holds, specifically for women's rights.
