Considers how dance, rhythm and the body become forces of social differentiation. In Cuba, many Afro-Cuban cultural practices, such as rumba, have been subject to social and spatial exclusion. In this context, sites such as the home, the street and the family emerge as highly significant for the learning and performance of Afro-Cuban music and dance.
This article explores the "elitist profile" of racial discrimination through eighty in-depth interviews with black professionals in Rio de Janeiro. The results show that interviewees describe their trajectories of social mobility through mechanisms that involve both socioeconomic and racial exclusion. Their perceptions of injustice, however, are more directly related to experiences of racial discrimination.