234 p., This dissertation examines the various discursive expressions of black agency that formed the stereotypical representations of African descendants found in Victorian racial discourse. It is, therefore, an analysis of the discursive practices of peoples of African descent and not of the actual stereotypes frequently associated with Victorian racial discourse. A close reading and analysis of the discursive practices of peoples of African descent subject to British rule will generate more focused critical narratives about the fantasies that plagued the British imagination well into the 20sth century. This study also suggest that contemporary scholars should look at Victorian racial discourse as an active dialogue and conversation with the Other, rather than a description of the psychology of power.
292 p., Based on multi-sited ethnographic fieldwork in the United States and Trinidad and Tobago, examines the process by which the members of the National United Freedom Fighters (NUFF) initially resorted to violent political tactics and later abandoned them to adopt a state-sanctioned, self-funded "development" approach to their ongoing pursuit of social justice. The two different phases of the NUFF' social movement were led by the same actors, in the same impoverished region, with the same material development goals. Through comparative analysis of these two phases, and the material and discursive conditions characteristic of the two different historical moments in which they emerged, this study teases out the specific contextual variables that provoked the NUFF's initial commitment to and subsequent renunciation of violent political action.
330 p., This dissertation examines the major works of Trinidad-born playwright Mustapha Matura, dealing with plays written from 1970 to the present. By considering the relation of Matura's work to Britain and Trinidad, it explores the complexity of identity performance in postcolonial theatre and the ongoing need for agency among diasporic communities. Postcolonial scholarship fully recognizes the significance of writing in the development of postcolonial identities, yet dominant postcolonial theory largely excludes theatre from discussions of that development. Given its aural and visual presentation and its immediate interaction with an audience, theatre provides a unique postcolonial moment through which audience members can survey issues of race and place in their lives.
108 p., Investigate how contemporary fiction written by mixed race North American authors challenges theories of cultural and racial fluidity. Specifically looks at the works of Lawrence Hill, Shani Mootoo, and Danzy Senna, because their work uses similar conditions of hybridity in identity, through the lens of cultural performance. These authors represent my politics of an inclusionary mixed race theory by representing differences amongst themselves that resolve into a focus on language, as it reflects on mixed race literature.
African American Research Center, Library, University of Illinois at Urbana-Champaign
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350 p, Presents evidence of this transformation as it has affected Caribbean food systems and evaluates its impact on food import dependence and nutritional vulnerability
African American Research Center, Library, University of Illinois at Urbana-Champaign
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349 p, For many Trinidadians, Carnival is the quintessential expression of Trinidadian-ness. On one level, this thesis is an ethnographic "enactment" of one particular Carnival celebration in the circumscribed space and time of Port of Spain 1992. On another, this study explores the historical, systemic, political and hermeneutical linkages between Trinidad's "national" identity, its culture and its annual Carnival. Argues that Trinidad's Carnival is more properly understood, not as a rite of reversal, but as a performance which constitutes and expresses the Trinidadian Self.
116 p., Using Trinidadian writer Samuel Selvon's 1956 novel The Lonely Londoners as a textual example, argues that Selvon's presentation of the experiences of migrant working-class Afro-Caribbean men in post-war London opens up space for an unconventional reading of "queer masculinity" as shaped by the intersections of gender, race, class and sexuality under the influence of the socio-political ideology of the period both in the Caribbean and in Britain. The resulting form of masculine identification for these Afro-Caribbean migrants is constructed through an expression of hypersexuality where the pursuit of pleasure becomes an act of resistance to social marginalization.
