Abbey,Eric James, (Ed.And Intro.) and Helb,Colin, (Ed.And Intro.)
Format:
Book, Whole
Publication Date:
01/01; 2014
Published:
Lanham: Lexington Books
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
The following contributions are cited separately in RILM: Eric James ABBEY, The cult of Hellmouth: The success of contemporary hardcore (RILM ref]2014-01826/ref]); Sean AHERN, Let the Shillelagh fly: The dropkick Murphys and Irish—American hybridity (RILM ref]2014-01818/ref]); Brian COGAN, The last report: Throbbing gristle and audio extremes (RILM ref]2014-01823/ref]); Mika ELOVAARA, Am I evil? The meaning of metal lyrics to its fans (RILM ref]2014-01819/ref]); Marcus ERBE, By demons be driven? Scanning 'monstrous' voices (RILM ref]2014-01820/ref]); Kevin FELLEZS, Black metal soul music: Stone vengeance and the aesthetics of race in heavy metal (RILM ref]2014-01824/ref]); Ross HAGEN, No fun: Noise music, avant-garde aggression, and sonic punishment (RILM ref]2014-01822/ref]); Colin HELB, 'The time is right to set our sight on salvation': The strange tale of how the Hare Krishnas came to play hardcore punk (RILM ref]2014-01825/ref]); Eliut RIVERA-SEGARRA, Nelson VARAS-DIAZ, Heavy metal music in the Caribbean setting: Politics and language at the periphery (RILM ref]2014-01821/ref]); Evan WARE, Food for thought: On Sid Vicious's cannibalization of My way (RILM ref]2014-01817/ref]).
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
"Revised and updated from Haiti : the Duvaliers and their legacy ... first published in 1988 by McGraw-Hill", 492 p, The tragic modern history of Haiti from 1957 to the present day, including the 2010 earthquake.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
Originally published: Afro-American folktales. c1985., 327 p, These tales range from the earthy comedy of tricksters to stories explaining how the world was created and got to be the way it is, to moral fables that tell of encounters between masters and slaves. They includes stories set down in travelers' reports and plantation journals from the early nineteenth century, tales gathered by collectors such as Joel Chandler Harris and Zora Neale Hurston, and narratives tape-recorded by Roger Abrahams himself during extensive expeditions throughout the American South and the Caribbean.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
327 p., These 107 tales come from the canefields of the antebellum South, the villages of Caribbean islands, and the streets of contemporary Philadelphia. They includes stories set down in travelers' reports and plantation journals from the early 19th century, tales gathered by collectors such as Joel Chandler Harris and Zora Neale Hurston, and narratives tape-recorded by Roger Abrahams himself during extensive expeditions throughout the American South and the Caribbean.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
203 p, A collection of eleven articles published between 1970 and 1982. About folkloristic theory, sociolinguistics, ethnography of communication, symbolic interactionism, and symbolic anthropology of the creativity of the region. (JSTOR)
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
111 p, An exploration into social restructuring in Haiti, with chapters on The Haitian Revolution of 1804, politics, economics and National Diplomacy. Includes references.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
171 p, This title considers the African Diaspora through the underexplored Afro-Latino experience in the Caribbean and South America. Utilizing both established and emerging approaches such as feminism and Atlantic studies, the authors explore the production of historical and contemporary identities and cultural practices within and beyond the boundaries of the nation-state. The collection illustrates how far the fields of Afro-Latino and African Diaspora studies have advanced beyond the Herskovits and Frazier debates of the 1940s.
Adler,Joyce Sparer (Author), Adler,Irving (Author), and Jagan,Janet (Author)
Format:
Book, Whole
Publication Date:
2003
Published:
Kingston, Jamaica: University of the West Indies Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
106 p, Contents: Wilson Harris : the ideal of unity -- The art of Wilson Harris -- Tumatumari and the imagination of Wilson Harris -- Wilson Harris and twentieth-century man -- Melville and Harris : poetic imaginations related in their response to the modern world -- Wilson Harris's The womb of space : the cross-cultural imagination -- The evolution of female figures and imagery in Wilson Harris's novels -- Wilson Harris's cross-cultural dialogue with Melville -- Wilson Harris : an introduction
Ake,David A., (Ed.And Intro.), Garrett,Charles, (Ed.And Intro.), and Goldmark,Daniel, (Ed.And Intro.)
Format:
Book, Whole
Publication Date:
01/01; 2012
Published:
Berkeley: University of California Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
The following contributions are cited separately in RILM: David AKE, Crossing the street: Rethinking jazz education (RILM ref]2012-05841/ref]); Tamar BARZEL, The praxis of composition-improvisation and the poetics of creative kinship (RILM ref]2012-05838/ref]); Jessica BISSETT PEREA, Voices from the jazz wilderness: Locating Pacific Northwest vocal ensembles within jazz education (RILM ref]2012-05840/ref]); Charles GARRETT, The humor of jazz (RILM ref]2012-05833/ref]); Daniel GOLDMARK, 'Slightly left of center': Atlantic Records and the problems of genre (RILM ref]2012-05837/ref]); John HOWLAND, Jazz with strings: Between jazz and the great American songbook (RILM ref]2012-05836/ref]); Loren Y. KAJIKAWA, The sound of struggle: Black revolutionary nationalism and Asian American jazz (RILM ref]2012-05839/ref]); Eric C. PORTER, Incorporation and distinction in jazz history and jazz historiography (RILM ref]2012-05831/ref]); Ken PROUTY, Creating boundaries in the virtual jazz community (RILM ref]2012-05834/ref]); Sherrie TUCKER, Deconstructing the jazz tradition: The subjectless subject of new jazz studies (RILM ref]2012-05842/ref]); Elijah WALD, Louis Armstrong loves Guy Lombardo (RILM ref]2012-05832/ref]); Christopher J. WASHBURNE, Latin jazz, Afro-Latin jazz, Afro-Cuban jazz, Cubop, Caribbean jazz, jazz Latin, or just...jazz: The politics of locating an intercultural music (RILM ref]2012-05835/ref]).
