African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
237 p., The Cuban writer Nicolás Guillén has traditionally been considered a poet of mestizaje, a term that, whilst denoting racial mixture, also refers to a homogenizing nationalist discourse that proclaims the harmonious nature of Cuban identity. Yet, many aspects of Guillén's work enhance black Cuban and Afro-Cuban identities. Miguel Arnedo-Gómez explores this paradox in Guillén's pre-Cuban Revolution writings.
Kingston, Jamaica: University of the West Indies Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
204 p., Examines cultural and literary material produced by Afro-Mexicans on the Costa Chica of Guerrero and Oaxaca, Mexico, to challenge the selective and Euro-centric view of Mexican identity in the discourse about racial and ethnic homogeneity and the existence of black people in the country, as well as assumptions and stereotypes about gender and sexuality.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
213 p., Examines the need for international solidarity with grassroots movements in Brazil and throughout the African diaspora. Intertwined with the everyday happenings of a social movement currently underway in Brazil, the author conveys an in-depth sense of the women who drive the community movement in the neighborhood of Gamboa de Baixo in Salvador (Brazil).
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
194p., Highlights connections among the production, performance, and reception of popular music at critical historical junctures in the late 19th and 20th centuries. The author sifts different origins and styles to place socio-musical movements into a larger historical framework.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
213 p., Reveals the emotional and social consequences of gendered difference and racial division as experienced by black and ethnicised women, teachers and students in schools and universities, taking the topic in new, challenging directions.
Chapel Hill, NC: University of North Carolina Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
326 p., Shows how gender shaped urban routes to freedom for the enslaved during the process of gradual emancipation in Cuba and Brazil, which occurred only after the rest of Latin America had abolished slavery and even after the American Civil War. Focusing on late nineteenth-century Havana and Rio de Janeiro, Cowling argues that enslaved women played a dominant role in carving out freedom for themselves and their children through the courts.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
188 p., Explores Jamaican masculinity through the male-dominated dancehall space that is at once a celebration of the marginalized poor and also a challenge to social inequality. Using the major masculine debates that are articulated in dancehall music and culture, Donna Hope explores the transition of Jamaican masculinity in the 21st century.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
445 p., Centers around two families, the Belseys and the Kippses. Howard Belsey, a Rembrandt scholar who doesn't like Rembrandt, is an Englishman abroad and a professor at a liberal New England arts college. Sir Monty Kipps, an Caribbean intellectual, delights in provoking liberals with his ultra-conservative views on homosexuality, affirmative action and so on. Sir Monty has written a popular appreciation of Rembrandt which Howard Belsey has denounced for its retrogressive stance. Belsey's elder son, who quests for black authenticity, falls in love with Sir Monty's daughter Vee. Moreover, Sir Monty is offered a visiting celebrity appointment at the very college at which Howard himself teaches.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
459 p., Timm posits and proves that the strongest impetus for anti-colonial demands came from a small group of expatriates in the USA whose ideas were met with strong and persistent skepticism at all levels of Jamaican society including the political elite, namely the much revered Norman Manley and Alexander Bustamante. This work on the Jamaica Progressive League highlights how Jamaican emigrants who actively participated in the vibrant black transnational political movement in Harlem, New York – the Harlem Renaissance – influenced the political developments in their country of birth by capitalizing on the shifting international power relations of the time; and provides fresh insights into the formative stages of local party politics in Jamaica.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
486 p., This encyclopedia set explores, in 760 articles and 3.6 million words, the dressed and adorned body across cultures and throughout history. Lavishly illustrated with over 2,000 images, it is essential for all students, scholars and practitioners of fashion and textiles, across disciplines.
