African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
;, 300 p., Examines how Haitian diaspora writers, artists, and musicians address black masculinity through the Haitian Creole concept of gwo negs, or "big men". This work confronts the gendered, sexualized, and racialized boundaries of America's diaspora communities and openly resist "domestic" imperialism that targets immigrants, minorities, and gays.
Quito, Ecuador: Abya-Yala : Agence canadienne de développement international
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
436 p., Cómo han construido y construyen sus identidades étnicas y de género las mujeres y hombres negros del norte de Esmeraldas?, es la pregunta central de investigación que se plantea la autora. Sobre la base de un enfoque integrado de varias corrientes críticas del pensamiento social y combinando la investigación bibliográfica y el trabajo de campo en dos comunidades representativas, la autora resuelve la pregunta planteada inicialmente.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
229 p, Incorporating postcolonial theory, West Indian literature, feminist theory, and African American literary criticism, Making Men carves out a particular relationship between the Caribbean canon--as represented by C. L. R. James and V. S. Naipaul, among others--and contemporary Caribbean women writers such as Jean Rhys, and Jamaica Kincaid, Paule Marshall, and Michelle Cliff, who now live in the United States.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
188 p., Explores Jamaican masculinity through the male-dominated dancehall space that is at once a celebration of the marginalized poor and also a challenge to social inequality. Using the major masculine debates that are articulated in dancehall music and culture, Donna Hope explores the transition of Jamaican masculinity in the 21st century.
