Esteves,Carmen C. (Author) and Paravisini-Gebert,Lizabeth (Author)
Format:
Book, Whole
Publication Date:
1991
Published:
New Brunswick, NJ: Rutgers University Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
273 p, Contents: Tétiyette and the devil / Anonymous (Guadeloupe) -- Little Cog-burt / Phyllis Shand Allfrey (Dominica) -- Cotton Candy / Dora Alonso (Cuba) -- See me in me Benz and t'ing : like the lady who lived on that isle remote / Hazel D. Campbell (Jamaica) -- They called her Aurora (a passion for Donna Summer) / Aida Cartagena Portalatín (Dominican Republic) -- Columba / Michelle Cliff (Jamaica) -- A pottage of lentils / Marie-Thérèse Colimon-Hall (Haiti) -- Three women in Manhattan / Maryse Condé (Guadeloupe) -- Hair / Hilma Contreras (Dominican Republic) -- Piano-bar / Liliane Dévieux (Haiti) -- Barred : Trinidad 1987 / Ramabai Espinet (Trinidad) -- The poisoned story / Rosario Ferré (Puerto Rico) -- Cocuyo Flower / Magali García Ramis (Puerto Rico) -- How to gather the shadows of the flowers / Ángela Hernández (Dominican Republic) -- Opéra Station. Six in the evening. For months-- / Jeanne Hyvrard (Martinique/France) -- Girl / Jamaica Kincaid (Antigua) -- No dust is allowed in this house / Olga Nolla (Puerto Rico) -- Widow's walk / Opal Palmer Adisa (Jamaica) -- Parable II / Velma Pollard (Jamaica) -- Red flower / Paulette Poujol-Oriol (Haiti) -- The day they burned the books / Jean Rhys (Dominica) -- Lola or the song of spring / Astrid Roemer (Surinam) -- Brights Thursdays / Olive Senior (Jamaica) -- ADJ, Inc. / Ana Lydia Vega (Puerto Rico) -- Of nuns and punishments / Bea Vianen (Surinam) -- Passport to paradise / Myriam Warner-Vieyra (Guadeloupe) -- Of natural causes / Mirta Yáñez (Cuba)
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
126 p, Contents: The book is organized as a series of essays on related topics all applied to Caribbean women's fiction: white women writers; madness; postcolonial theory, female subjectivity, Bakhtin's Carnival image; ideology (Elaine Savory)
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
Synopsis This biography of the writer and politician, recreates Allfrey's life against the background of 20th-century Caribbean political and literary history - from the decline of the planter class, the rise of party politics and the efforts to join the West Indies into a federation in the 1960s and 1970s. ;
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
223 p, Ileana Rodriguez's House/Garden/Nation: Space, Gender, and Ethnicity in Post-Colonial Latin American Literatures by Women offers an insightful look into the role the feminine has played in the constructions of nation and nationalism in critical moments of Latin American history. Although feminism is at the center of the study, it is always predicated by concerns of ethnicity and social class. (BNET);
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
208 p., Examines the representation of violence in the work of contemporary writers and artists of the Hispanic Caribbean and its diaspora in the United States.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
111 p, Examines the ways Guadeloupean women writers Maryse Conde, Simone Schwarz-Bart and Myriam Warner-Vieyra demystify the theme of the return to Africa as opposed to the masculinist version by Negritude male writers from the 1930s to 1960s. Negritude, a cultural and literary movement, drew much of its strength from the idea of a mythical or cultural reconnection with the African past allegorized as a mother figure. In contrast these women writers, of the post-colonial era who are to large extent heirs of Negritude, differ sharply from their male counterparts in their representation of Africa. In their novels, the continent is not represented as a propitious mother figure but a disappointing father figure.