African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
247 p., A study of the interchange between Cuba and Africa of Yoruban people and culture during the 19th century, with special emphasis on the Aguda community.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
310 p., Relates current theoretical debates about hospitality and cosmopolitanism to the actual conditions of refugees. Examines literary works by such writers as Edwidge Danticat, Nikl Payen, Kamau Brathwaite, Francisco Goldman, Julia Alvarez, Ivonne Lamazares, and Cecilia Rodriguez Milans, Jacques Derrida, Edouard Glissant, and Wilson Harris.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
391 p., A comparative study of postwar West Indian migration to the former colonial capitals of Paris and London. It studies the effects of this population shift on national and cultural identity and traces the postcolonial Caribbean experience through analyses of the concepts of identity and diaspora. Through close readings of selected literary works and film, H. Adlai Murdoch explores the ways in which these immigrants and their descendants represented their metropolitan identities.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
143 p, Uses U.S. and Haitian interview data, coupled with a broader analysis of Haitian rural conditions and the effects of foreign and domestic policy on their movement, to underscore the need for a comprehensive rural strategy for economic development in Haiti.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
248 p., Case studies dealing with a variety of black British and ethnic American writers, Home, identity, and mobility in contemporary diasporic fiction shows how new identities and homes are constructed in the migrants' new homelands. Includes chapter on Black British perspectives. From black Britain to the Caribbean : the return of the (im)migrant in Caryl Phillips's A state of independence.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
229 p, Incorporating postcolonial theory, West Indian literature, feminist theory, and African American literary criticism, Making Men carves out a particular relationship between the Caribbean canon--as represented by C. L. R. James and V. S. Naipaul, among others--and contemporary Caribbean women writers such as Jean Rhys, and Jamaica Kincaid, Paule Marshall, and Michelle Cliff, who now live in the United States.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
221 p, Contents:
1. Toward a theoretical framework for analysing Caribbean migration -- 2. The historical context: Caribbean migration from Emancipation to the Second World War -- 3. The organisation of un-recruited migration from the Caribbean to Britain -- 4. Britain as post-war migrant destination: the national scale and the Leicester locality -- 5. The occupation experience: change and continuity for Nevisian migrants in Leicester -- 6. The housing question: Caribbean migrants and the British housing market -- 7. Return to Nevis: myth and reality -- 8. Conclusion.
Berkeley: Institute of International Studies, University of California
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
153 p, Analyzes "the social and economic characteristics of ... persons who have returned to Puerto Rico ---the return migrants" (p. 8). Thus, it approaches
the study of migration from a perspective not usually taken in migration
studies. The author uses three sources of data: (1) a survey of arrivals and
departures at the San Juan International Airport, (2) special census tabula-
tions, and (3) a "motive" study of 307 return migrants. --John W. Prehn, Social Forces (1968) 47 (1), p. 97.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
208 p., Examines the representation of violence in the work of contemporary writers and artists of the Hispanic Caribbean and its diaspora in the United States.
