African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
Originally presented as the author's (Luiz Silva's) thesis (doctoral)--Universidade Estadual de Campinas, 2005., 294 p, Cruz e Souza and Lima Barreto works evince similar strategies to face historical circumstantial challenges relevant to the end of the 19th Century. Concerning the racial exclusion processes enrooted in the preceding centuries due to slavery, the authors developed the collective trauma consciousness and its further consequences on daily lives within the poetical and fictional areas.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
251 p., Chapters: African and Afro-Cuban factors in the structure of Lydia Cabrera's black short stories -- The characters : gods, animals, humans, supernatural beings and objects -- The theme of the waters.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
256 p., This book explores the common links and differences between the works of two modern Caribbean poets, Kamau Braithwaite and Dereck Walcott. The study focuses on the engagement of the two with the mythology of the Caribbean's African experience, defining each poet's contribution to the development of modern Caribbean poetics.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
147 p, The Caliban-Prospero encounter in Shakespeare's "The Tempest" has evolved as a metaphor for the colonial experience. The present study utilizes the Caliban symbol in examining the influence of colonialism in Caribbean literature, focusing on the works of three major writers from the Caribbean islands: Jean Rhys, of British descent from Dominica; George Lamming, of African origin from Barbados; and Sam Selvon, of mixed Indian and Scottish heritage from Trinidad.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
228 p, Poesía negra en Colombia; Based on the author’s thesis (doctoral--Indiana University) entitled La poesía negra en Colombia a través de la obra de Candelario Obeso.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
317 p., While a great deal of postcolonial criticism has examined how the processes of hybridity, mestizaje, creolization, and syncretism impact African diasporic literature, Oakley employs the heuristic of the "commonplace" to recast our sense of the politics of such literature. Her analysis of commonplace poetics reveals that postcolonial poetic and political moods and aspirations are far more complex than has been admitted. African Atlantic writers summon the utopian potential of Romanticism, which had been stricken by Anglo-European exclusiveness and racial entitlement, and project it as an attain.
