African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
138 p, Description and analysis of the two most important religions of African descent in Cuban spiritual life: the first of Yoruban origin; the second of Congo-Bantu origin
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
228 p, Contents: Canonized hybridities, resistant hybridities: Chutney Soca, carnival, and the politics of nationalism / Shalini Puri -- Soca and social formations: avoiding the romance of culture in Trinidad / Stefano Harney -- Trinidad romance: the invention of Jamaican carnival / Belinda J. Edmondson -- All that is black melts into air: negritud and nation in Puerto Rico / Catherine Den Tandt -- Positive vibration? Capitalist textual hegemony and Bob Marley / Mike Alleyne --"Titid ad pèp la se marasa": Jean-Bertrand Aristide and the new national romance in Haiti / Kevin Meehan -- Shadowboxing in the Mangrove: the politics of identity in postcolonial Martinique / Richard Price and Sally Price -- Beautiful Indians, troublesome negroes, and nice white men: Caribbean romances and the invention of Trinidad / Faith Smith -- Homing instincts: immigrant nostalgia and gender politics in Brown girl, brownstones / Supriya Nair -- Derek Walcott: liminal spaces/substantive histories / Tejumola Olaniyan
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
239 p, Contents: Africans in English patriarchy -- Afro-Caribbean culture, Euro-Caribbean institutions -- The Methodist society -- In a free society -- The struggle for recognition -- The demise of the local: the background for a global community -- The global community -- Global culture, island identity
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
Originally published: Baltimore : Johns Hopkins University Press, 1983., 375 p, Probes deeply into the multicultural origins of Caribbean society, defining and tracing the evolution of the distinctive ideology that has arisen from the region’s unique historical mixture of peoples and beliefs. Covers the sixteenth- and seventeenth-century beginnings of Caribbean thought, pro- and antislavery ideologies, the growth of Antillean nationalist and anticolonialist thought during the nineteenth century, and the development of the region’s characteristic secret religious cults from imported religions and European thought.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
251 p, Taylor uses the works of Frantz Fanon to examine the expressive culture of the Afro-Caribbean. Focuses on the narrative of the colonized people and makes a distinction between mythic narrative and the narrative of liberation. (JSTOR)
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
399 p, Focusing on developments in Afro-Cuban religious culture, demonstrates that traditional Caribbean cultural practices are part and parcel of the same history that produced modernity and that both represent complexly interrelated hybrid formations. Palmié argues that the standard narrative trajectory from tradition to modernity, and from passion to reason, is a violation of the synergistic processes through which historically specific, moral communities develop the cultural forms that integrate them.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
238 p, A reaffirmation of the validity of that persistent quest by the Jamaican and Caribbean people for place and purpose in a globalised world of continuous change. In post-colonial societies like Jamaica, the issue of cultural identity is as important as political independence and economic self-sufficiency. Rex Nettleford goes further by declaring that cultural identity is as fundamental a reality as food, shelter, clothing and job opportunities and is not a mere abstract preoccupation. For this reason, cultural ‘action’ is central to effective social change. Caribbean Cultural Identity analyses and illustrates the dynamics of cultural evolution in the Caribbean. Nettleford focuses on the problems of identity, particularly as it relates to cultural pluralism and Eurocentricity and describes in detail the role that the performing arts have played in shaping the general development of Jamaica as well as the Caribbean in general.
