African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
80 p., Contents: Part One. Creolization: Definitions -- Patterns of Creolization: The whites ; The slaves ; Socialization ; Imitation; Creative ambivalence ; cultural censors ; Submerged mothers ; speech ; Style ; Sex and amorous influences -- The Plural Continuum: Whole and partial societies ; Effects ; The plural society model ; The orientation model ; Alternatives -- Part Two. Cultural Diversity: Overview: The legacy of slavery ; The song and dance of emancipation ; Maroonage -- Europeans -- An analytical diversion -- Afro-Caribbeans: The Afro-Caribbean tradition ; Birth customs ; Markets and food ; Social life and activity -- Post-emancipation complications -- The Chinese -- East Indians -- Inter-culturation: The Indo-creole ; New cultural signals -- Contradictory omens -- Contradictory models.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
196 p., Argues that cultural and literary expressions of illness, suffering, and subjectivity in the postcolonial context are always in dialogue with seemingly external discourses and practices of health. Thus, through sustained analyses of historical, biomedical and sociocultural currents in the context of eight Francophone novels from 1968 to 2003, the book advances a new theory of critical conditions. These critical conditions represent the conjunction of bodily, psychic, and textual states that defy conventional definitions of health and well-being.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
196 p., Focuses on Francophone women writers who offer striking commentaries on the experience of illness and/or disability and its attendant discourses: Haitian writer Marie Chauvet; Guadeloupian-Senegalese writer Myriam Warner-Vieyra; Guadeloupian writer Maryse Condé; Senegalese writers Ken Bugul, Fama Diagne Sène, and Fatou Diome; and Swiss-Gabonese writer Bessora.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
196 p., Argues that cultural and literary expressions of illness, suffering, and subjectivity in the postcolonial context are always in dialogue with seemingly external discourses and practices of health.
Garoutte,Claire (Author) and Wambaugh,Anneke (Author)
Format:
Book, Whole
Publication Date:
2007
Published:
Durham, NC: Duke University Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
258 p, In the summer of 2000, two award-winning photographers, Claire Garoutte and Anneke Wambaugh, were researching Afro-Cuban religious practices in Santiago de Cuba, a city on the southeastern coast of Cuba. A chance encounter led them to the home of Santiago Castañeda Vera, a priest-practitioner of Santería, Palo Monte, and Espiritismo, a Cuban version of nineteenth-century European Spiritism. Out of that initial meeting, a unique collaboration developed. Santiago opened his home and many aspects of his spiritual practice to Garoutte and Wambaugh, who returned to his house many times during the next five years, cameras in hand.
Feira de Santana, Bahia: Eduefs -Editora da Universdade Estadual de Feira de Santana
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
139 p, Professor Adjunto da Universidade Estadual de Feira de Santana, com doutorado e pós doutorado em estudos culturais, o australiano radicado na Bahia Piers Armstrong dedica-se a uma vertente culturalista que procura compreender de maneira singular as manifestações populares do estado da Bahia. Neste livro ele discute a obra de Jorge Amado, Caetano Veloso, Gilberto GIl e Carlinhos Brown, alé, de analisar vestuário, gíria, arte, costumes, publicidade e discurso político da cultura bahiana, principalmente a popular, imbricada com a questão da negritude.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
500 p, Daughters of the Diaspora features the creative writing of 20 Hispanophone women of African descent, as well as the interpretive essays of 15 literary critics. The collection is unique in its combination of genres, including poetry, short stories, essays, excerpts from novels and personal narratives, many of which are being translated into English for the first time. They address issues of ethnicity, sexuality, social class and self-representation and in so doing shape a revolutionary discourse that questions and subverts historical assumptions and literary conventions.
