African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
1 microfiche, Winston Farrell is a performing poet and theatre practioner from the island of Barbados. This work has been created out of a series of interactions with senior citizens focusing on their life experiences and their environment. Some of them are very performance-oriented and stand out as an exercise in storytelling.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
2 vols (962 p)., Accessible to students and general readers, this encyclopedia overviews the lives and works of Caribbean authors. Because Caribbean literature is so much a reflection of regional concerns, the encyclopedia gives special attention to the political, cultural, and historical contexts in which Caribbean authors have lived and worked.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
200 p., This book extends our understanding of the black Atlantic, a term coined by Paul Gilroy to describe the political, cultural and creative interrelations among blacks living in Africa, the Americas and Europe. Focuses on pre-colonial English literary constructions and their effects on post-Independence Caribbean literature.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
210 p., From the days of slavery, the Negro from Martinique has never stopped "marronner", that is to say, to try to escape his condition, winning the great woods, the plebeians districts boroughs or even the neighboring islands. Simon, principal figure of the book, was one of them. He knew in the 17th century the arrival of the first slaves from Africa Guinea, the eighteenth hell of sugar plantations in the nineteenth fever abolition, in the early twentieth that of marching strikes and, at the dawn of XXI, the mare desperadoes of false modernity.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
166 p., Gives a comprehensive analysis of the literary and theoretical discourse on race, culture, and identity by Francophone and Caribbean writers beginning in the early part of the twentieth century and continuing into the dawn of the new millennium. Examining the works of Patrick Chamoiseau, Raphael Confiant, Aime Cesaire, Leopold Senghor, Leon Damas, and Paulette Nardal, the author traces a move away from the preoccupation with African origins and racial and cultural purity, toward concerns of hybridity and fragmentation in the New World or Diasporic space.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
275 p., Explores the complicated post-colonial infrastructure of Caribbean society and life as an African American through the work of Erna Brodber. Brodber's novels "Jane and Louisa Will Soon Come Home," "MYAL," and "Louisiana" all explore various facets of the Caribbean and African American experiences. The author traces nuances of the Caribbean psyche, the importance of matriarchs, traditional slave dances, obeahs, Santeria and other African-based religious expressions, as well as politics and history.
