La Habana, Cuba: Ministerio de Educación, Dirección de Cultura
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
477 p, Examines the musical traditions of the African population in Cuba, including rhythmic and melodic features, instrumentation, and vocal characteristics.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
489 p, Examines the musical traditions of the African population in Cuba, including rhythmic and melodic features, instrumentation, and vocal characteristics.
La Habana Vieja, Ciudad de La Habana, Cuba: Casa Editora Abril
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
204 p., Comentado e ilustrado sobre los números y leyendas cubanas afrodescendientes. Sus entradas léxicas muentran deidades, mitos y leyendas, con sus significado, caracterización, así como la impronta africana, europea y cubanas en sus interrelaciones y transculturaciones.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
296 p, This book was originally published in 1959 in Cuba which includes the rituals of the Society Abakua narrated according to the author. The secret society fraternal, religious , cultural and mutual Abakua , created in 1836 and then built by African slaves for the purpose of dealing with the abuses of slavery. Because of their unquestionable contribution to the racial and cultural integration of the Cuban nation, the Abakua Society was eventually legally recognized.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
Translation of: The pearl of the Antilles; or, An artist in Cuba.
Originally published: London, H.S. King, 1873., 308 P., "Cuba having lately become a prominent object of attention, both to Europe and America, I venture to think that any trustworthy information that can be given respecting it, may prove acceptable to the reader. I approach my task with no great pretensions, but yet with an experience acquired by many years' residence in the Island, and an intimate intercourse with its inhabitants. I arrived there in 1864, when Cuba was enjoying uninterrupted peace and prosperity, and my departure took place in the first year of her adversity. Having thus viewed society in the Island under the most opposite conditions, I have had various and ample opportunities of studying its institutions, its races and its government; and in availing myself of these opportunities I have endeavoured, as far as possible, to avoid those matters which are alike common to life in Spain and in Cuba." --The Author
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
240 p, It's the introduction that never became Afrocubana Culture, the work in four volumes that its author, Jorge Castellanos, wrote in collaboration with her daughter Isabel and Universal editions that given the stamp from 1988 to 1994.
Castellanos,Jorge (Author) and Castellanos,Isabel Mercedes (Author)
Format:
Book, Whole
Language:
Spanish
Publication Date:
1988-1994
Published:
Miami, Fla., USA: Ediciones Universal, 1988-1994
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Journal Title Details:
4v
Notes:
"Fourth and final volume of a monumental work on the influence of blacks on Cuba's culture. Centers on Cuban literature, arts, and music, and includes chapters on the presence of black culture and social organization in Cuban novels (1900-59), short stories, poetry, music, and painting"--Handbook of Latin American Studies, v. 57.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
126 p., Contents: La lucha contra la discriminación racial y las acciones afirmativas -- La identidad del afrocubano y el movimiento hip-hop -- Marcus Garvey desde la visión de Gustavo E. Urrutia -- El término "afrocubano" : una contribución olvidada de Fernando Ortiz -- La yorubización en el candomblé y la santería -- Importancia de la fundación del Partido Independiente de Color : amplitud y trascendencia de su programa.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
363 p, "A reprint of this extensive study of Afro-Cuban music examines the musical traditions of the African population in Cuba, including rhythmic and melodic features, instrumentation, and vocal characteristics. It must be studied in conjunction with Ortiz's Los bailes y el teatro de los negros en el folklore de Cuba (1993) and Los instrumentos de la música afrocubana (1995), both of which have been reprinted. The three works have also been reprinted in Spain (Madrid: Editorial Música Mundana Maqueda, 1997)"--Handbook of Latin American Studies, v. 58.
