African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
149 p., Examines Marshall's use of the trope of travel within and between the United States and the Caribbean to critique ideologies of development, tourism, and globalization as neo-imperial. This examination of travel in Marshall's To Da-Duh, In Memoriam; The Chosen Place, The Timeless People; Praisesong for the Widow; and Daughters exposes the asymmetrical structures of power that exist between the two regions.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
347 p., While investigating the seemingly innocent death of the U.S. Ambassador to the Dominican Republic, Edgar Espinosa-Jones (EJ) finds the Caribbean islands of the 1970s seething with political intrigue, revolutionaries, superstition, violence, and love affairs--with the curse of voodoo magic over all.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
462 p., On a Caribbean island in the 1950s, elderly Mary Gertrude Mathilda commits murder. As she explains herself to police, her story exposes the ugly underbelly of life on Caribbean plantations, with its slavery and brutality.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
111 p, Examines the ways Guadeloupean women writers Maryse Conde, Simone Schwarz-Bart and Myriam Warner-Vieyra demystify the theme of the return to Africa as opposed to the masculinist version by Negritude male writers from the 1930s to 1960s. Negritude, a cultural and literary movement, drew much of its strength from the idea of a mythical or cultural reconnection with the African past allegorized as a mother figure. In contrast these women writers, of the post-colonial era who are to large extent heirs of Negritude, differ sharply from their male counterparts in their representation of Africa. In their novels, the continent is not represented as a propitious mother figure but a disappointing father figure.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
v, 174 leaves ; 29 cm., This novel is a contemporary novel that deals with the history of france; "UMI:9959638."/ Includes bibliographical references ( 167-174)./ Reproduction: Photocopy./ Ann Arbor, Mich. :/ UMI,/ 2000./ v, 174 ; 21 cm.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
499 p, This family saga, set in the kingdom of Segu, tells the story of Dousika Traore and his four sons, who embody the various forces of spirituality and religious; Translated of vol. 1 of Ségou.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
197 p, In Miami, Lieutenant Gutierrez investigates gruesome, ceremonial killings by Santeria, an Afro-Caribbean cult. To solve the case he joins forces with a student who is writing a thesis on the subject. By the author of The Cuban-American Experience.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
Winner of the 1978 National Book Critic's Circle Award for fiction., 305 p., The lives of 5 people, black and white, servant and millionaire, are entertwined. The setting is a Caribbean island. A visitor, young Jadine, neice of the butler and his wife and protegee of the Streets, educated at the Sorbonne, comes home for a visit from Paris. Son, black American street man breaks into the house and all lives are changed. Jadine and Son come together and strive to hold and understand each other as backgrounds and cultural circumstances come into play.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
260 p., Offers a comparative analysis of fiction from across the pan-Caribbean, exploring the relationship between literary form, cultural practice, and the nation-state. Engaging with the historical and political impact of capitalist imperialism, decolonization, class struggle, ethnic conflict, and gender relations, it considers the ways in which Caribbean authors have sought to rethink and re-narrate the traumatic past and often problematic 'postcolonial' present of the region's peoples.
