African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
251 p., Chapters: African and Afro-Cuban factors in the structure of Lydia Cabrera's black short stories -- The characters : gods, animals, humans, supernatural beings and objects -- The theme of the waters.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
317 p., While a great deal of postcolonial criticism has examined how the processes of hybridity, mestizaje, creolization, and syncretism impact African diasporic literature, Oakley employs the heuristic of the "commonplace" to recast our sense of the politics of such literature. Her analysis of commonplace poetics reveals that postcolonial poetic and political moods and aspirations are far more complex than has been admitted. African Atlantic writers summon the utopian potential of Romanticism, which had been stricken by Anglo-European exclusiveness and racial entitlement, and project it as an attain.
Tavistock, Devon, U.K; London: Northcote; British Council
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
153 p, Jean Rhys and her critics -- Feminist approaches to Jean Rhys -- The Caribbean question -- Writing in the margins -- Autobiography and ambivalence -- 'The day they burned the books' -- Fort Comme La Mort : the French Connection -- The politics of Good morning, midnight -- The huge machine of law, order and respectability -- Resisting the machine -- The enemy within -- Goodnight, day -- Intemperate and unchaste -- The other side -- The struggle for the sign.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
274 p., Examines the career, oeuvre, and literary theories of one of the most important Caribbean writers living today. Chamoiseau's work sheds light on the dynamic processes of creolization that have shaped Caribbean history and culture. The author's diverse body of work, which includes plays, novels, fictionalized memoirs, treatises, and other genres of writing, offers a compelling vision of the postcolonial world from a francophone Caribbean perspective.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
149 p., Examines Marshall's use of the trope of travel within and between the United States and the Caribbean to critique ideologies of development, tourism, and globalization as neo-imperial. This examination of travel in Marshall's To Da-Duh, In Memoriam; The Chosen Place, The Timeless People; Praisesong for the Widow; and Daughters exposes the asymmetrical structures of power that exist between the two regions.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
275 p., Explores the complicated post-colonial infrastructure of Caribbean society and life as an African American through the work of Erna Brodber. Brodber's novels "Jane and Louisa Will Soon Come Home," "MYAL," and "Louisiana" all explore various facets of the Caribbean and African American experiences. The author traces nuances of the Caribbean psyche, the importance of matriarchs, traditional slave dances, obeahs, Santeria and other African-based religious expressions, as well as politics and history.
Wynter,Sylvia (Author), Bogues,Anthony (Author), and Eudell,Demetrius Lynn (Author)
Format:
Book, Whole
Publication Date:
2010
Published:
Kingston ; Miami: I. Randle
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
Originally published: London : J. Cape, 1962., 340 p., Written in the late 1950s on the cusp of Jamaica's independence from Britain, The Hills of Hebron tells the story of a group of formerly enslaved Jamaicans as they attempt to create a new life and assert themselves against the colonial power.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
336 p, Joseph Conrad, Jean Rhys, and Pramoedya Ananta Toer are writers renowned for crafting narratives of great technical skill that resonate with potent truths on the colonial condition. Yet given the generational and geographical boundaries that separated them, they are seldom considered in conjunction with one another. The Passage of Literature unites the three in a bracing comparative study that breaks away from traditional conceptions of modernism, going beyond temporal periodization and the entrenched Anglo-American framework that undergirds current scholarship.
