African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
Originally released in 1990 as a motion picture. Based on the theatrical work: Maria Antonia by Eugenio Hernandez Espinosa., 1 videodisc (100 min.), A story of love, passion, resentment, and revenge set in pre-revolutionary working-class Cuba. Maria Antonio, in a role based on Oshun, the love goddess in the religion of the African Yoruba people, is driven to a crime of passion.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
The Little Theatre Movement (LTM) has the distinction of being Jamaica's longest surviving theatre company of contemporary times. It was founded in 1941 by Henry Fowler and Greta Bourke (later Fowler). Louise Bennett-Coverley and the late Ranny Williams who were among the pioneers of the LTM and who did much to mould the annual show into a unique creation, which features aspects of Jamaican culture, folklore and historical references. The Pantomime prides itself on its universal appeal to children and adults alike. In so doing the Pantomime has utilised some of Jamaica's leading talent in every area of production, from script writing to music composition, set and costume design, choreography as well as on-stage performance.
Chapel Hill, NC: University of North Carolina Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
326 p., Shows how gender shaped urban routes to freedom for the enslaved during the process of gradual emancipation in Cuba and Brazil, which occurred only after the rest of Latin America had abolished slavery and even after the American Civil War. Focusing on late nineteenth-century Havana and Rio de Janeiro, Cowling argues that enslaved women played a dominant role in carving out freedom for themselves and their children through the courts.
