African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
159 p, Discusses the importance of the role played by the Caribbean mother in her Latina daughters' negotiation of a hybrid identity as seen through the works of Julia Álvarez, Cristina García, and Esmeralda Santiago
221 p., Carmen (Mérimée 1845, Bizet 1875), the story about the (in)famous Gypsy dancer from Spain, is the second most adapted narrative in the history of world cinema, with over eighty global versions officially recognized to date. Despite the global reach of the Carmen phenomenon, many scholars claim that this tale has hardly been reworked in Spanish America and never in the Caribbean. Following Carmen from Spain to Spanish America, the author shows how the template of Carmen (a love story that reveals the racio-ethnic and gender stratification in Spain) has been artfully but unsuspectingly reappropriated and "creolized" in postcolonial Cuba in the controversial film María Antonia (1991) by Afro-Cuban filmmaker Sergio Giral, based on the landmark play María Antonia (1964) by Afro-Cuban playwright Eugenio Hernández Espinosa.
Special journal issue: New Perspectives on the Black Music Diaspora: Focus on the Caribbean., Includes Roger D. Abrahams, Questions of competency and performance in the black musical diaspora; Rose Mary Allen, Music in diasporic context: The case of Curaçao and intro-Caribbean migration; Nanette T. De Jong, Curaçao and the folding diaspora: Contesting the party tambú in the Netherlands; Elizabeth Mcalister, Listening for geographies: Music as sonic compass pointing toward African and Christian diasporic horizons in the Caribbean; and Raquel Z. Rivera, New York Afro-Puerto Rican and Afro-Dominican roots music: Liberation mythologies and overlapping diasporas.
University of Puerto Rico (Río Piedras Campus). Centro de Investigaciones Históricas. (Author)
Format:
Book, Edited
Language:
Spanish
Publication Date:
2009
Published:
Río Piedras, P.R.: Departamento de Historia, Centro de Investigaciónes Históricas, Universidad de Puerto Rico, Recinto de Río Piedras
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
Outgrowth of a seminar held at the University of Puerto Rico, Río Piedras Campus, in June 2006., 50 p., Contents: Presentación / Sharon Meléndez Ortiz y Rafael Díaz Díaz -- Del machete al hechizo : formas de resistencia entre los esclavos y esclavas de origen africano y afro-caribeño durante el periodo colonial / Sharon Meléndez Ortiz -- Sometiéndose para ser libres : el caso de la libertad pedida por los negros de los palenques de la Sierra de María, Cartagena, 1691 / César Augusto Salcedo Chirinos -- Mujer negra : resistir para construir : Nueva Granada siglo XVIII / Yanelba Mota Maldonado -- Las juntas como resistencia al sistema esclavista, Cartagena de Indias, siglo XVI / Frank Cosme Arroyo -- La magia negra, resistencia y seducción / Rubén Lasanta -- Los caminos a la manumisión : ley de 21 de julio de 1821 / Damaris J. Marrero Villali.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
221 p, In the 19th and 20th centuries, the Hispanic Caribbean was fundamentally a plantation economy dominated mainly by the world sugar market. The politics were shaped by revolutions, political coups, wars, and elections, resulting in an end of Spanish power, independent states, and the domination of the region by the United States. These developments led to changes in social values. The author follows these developments throughout the main Hispanic islands and provides a fascinating picture of a region in turmoil.
