In this article, I explore the impact of slavery and the Slave trade on the most fundamental relationship in human societies, the bond between mother and child. Firstly, I review European accounts of motherhood and childrearing (pre-enslavement) in the African cultures of origin. Secondly, I address the traumas of dislocation and enslavement during the Middle Passage. This is followed by some insights into the experiences of women and children in Caribbean Slave societies where I argue that, despite the harsh conditions, African-derived conceptualisations of motherhood and parenting endured. I conclude with a brief consideration of the reverberations of slavery into the post slavery era, specifically in relation to European attempts to change African-derived practices. [ABSTRACT FROM AUTHOR];.
220 p., Employs a black feminist diaspora literary lens to identify, define, trace, and speak to the African Diaspora as it functions in black women's diaspora fiction and informs our understanding of black women's diaspora identity. Considers three authors and novels by women of, in, and across the African Diaspora. The study centers on Sandra Jackson-Opoku's The River Where Blood Is Born as a primary site of analysis of diaspora formation and theorization, Dionne Brand's At the Full and Change of the Moon and Maryse Condé's Desirada as comparative textual and theoretical sites.
Silva,Dorsía Smith (Editor) and Alexander,Simone A. James (Editor)
Format:
Book, Whole
Publication Date:
2013
Published:
Trenton, NJ: Africa World Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
272 p, "Mothering has been a recurring theme in the work of many women writers and Caribbean women writers are no exception. This volume comprises of a collection of essays, which examine the multiple definitions and images of mothering and motherhood--from childbirth as the initial site to surrogate, communal, and extended parenthood in the stories of generations of women that include grandmothers, godmothers, sisters and aunts. Writing out of their numerous cultural, political, social, spiritual, and economic worlds, these Caribbean mothers bring needed attention to their endurance of social class, language, cultural chauvinism, physical and psychological exile, racial politics, and colonial sovereignty barriers." --Publisher's description.
Kuwabong suggests that both Lorna Goodison's and Claire Harris's poetic of matrilineage survives on their positive representation of the mother-daughter relationship, which ideologically borders on the Caribbean concept of a daughter becoming her mother
