In 2008, a new style in Jamaican dancehall music and dance culture known as "Daggering" emerged. Daggering music and dancing, which included lyrics that graphically referred to sexual activities and a dance which has been described as "dry sex" on the dance floor, took Jamaica by storm. The Broadcasting Commission of Jamaica was forced to crack down on broadcasting and cable stations preventing them from playing any Daggering content. This article focuses on the subsequent clash between the government and the dancehall, and seeks to identify an appropriate method for monitoring and enforcing these new standards.
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"This paper examines the tradition of misogynistic picong or satire in calypso songs recorded as artists moved from Trinidad to Britain during the period immediately after World War II. I argue that, while these traditions of anti-woman representation began in conflicts around race and class inequalities within Caribbean culture during the Depression, they came to take on an anti-colonial animus when translated to the mother country. Calypso singers' tales of their exploits with hapless wealthy Englishwomen thus functioned not simply to express superiority over other men from the Caribbean, but to challenge the forms of racial subordination that black male migrants encountered in Britain during the 1940s and 1950s." --The Author
Authors conducted a thematic analysis of 650 photographs of Haitian women in the Associated Press Photo Archive in the years 1994–2009. Emphasizes the impact of these images on the identity of Haitian women and Women of Color, as well as on the attitudes and behaviors of media consumers toward these groups.
164 p., Explores four contemporary novels and a film that rely heavily on photographic and mass-media images to illuminate, articulate, and critique modern-day Black urban existence: Patrick Chamoiseau's Texaco (1997), Chris Abani's Graceland (2004), John Edgar Wideman's Fanon , Paulo Lins' Cidade de Deus (1997), and Fernando Meirelles' 2002 film adaptation of Lins' novel City of God . Chapters examine the ways in which photographic and/or mass-media images are used as narrative tropes or devices for representing the material conditions of an emerging slum existence. The author argues that each text reveals a preoccupation with the rise of global urbanism and visual culture as new types of discursive spaces--new kinds of "texts"-- that shape not only the real life of black people, but also the literary landscape of Black writing across the globe.
The article discusses the transnational aspects of Harlem, New York City, New York, with a particular focus on the borough's cultural relations with the British West Indies during the 1920s and 1930s. An overview of the Caribbean immigrants in Harlem, including working class immigrants, is provided. The role that British Caribbean blacks played in the transatlantic media is discussed.
Discusses the status of women in Haiti in terms of accessing basic needs and services and education. States that women's invisibility was overshadowed by global media's coverage of the 2010 earthquake, wherein people were exposed to extreme poverty and gender inequity. It adds that Commission of Women Victims for Victims (KOFAVIV) is one of the non-governmental organizations (NGOs) that helped women victims from the prosecution of assailants.
