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42. The Social Memory of Arará in Cuba: Oral Histories from Perico and Agramonte
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- Crosby,Jill Flanders (Author)
- Format:
- Journal Article
- Publication Date:
- 2010
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Journal Title:
- Southern Quarterly
- Journal Title Details:
- 47(4) : 91-109
- Notes:
- The article discusses the oral histories of the Arará people in Perico and Agramonte, Cuba, and their roots in African cultural practices. The spiritual Arará religion is discussed. Emphasis is placed on similarities between African and Arará dances, social memory, and communication with the dead. Various Arará deities and religious objects are discussed. Many practitioners of the religion believe such objects came from Africa. Many of the oral stories revolve around the experiences of both African slaves and freed people at the España sugar refinery. It is believed the Arará people are descended from the African Ewe and Fon people, and therefore are strongly influenced by their religious customs.
43. The bullroarer cult in Cuba
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- Marcuzzi,Michael (Author)
- Format:
- Journal Article
- Publication Date:
- 2010
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Journal Title:
- Latin American music review/Revista de música latinoamericana
- Journal Title Details:
- 31(2) : 151
- Notes:
- This study investigates the importance of the bullroarer cult in Cuban orisha worship. Though the cult was one of the most feared collectives of precolonial Yorubaland, carrying out the executions of criminals and witches on behalf of the state councils, the cult that came to be recreated in Cuba after the transatlantic separation took on a quality that was more devotional, though equally secretive. Given that so much change has occurred among the bullroarer cults in Cuba and Yorubaland since the termination of the slave trade, the conspicuous links between the two cults have all but disappeared. However, by lending particular attention to the bullroarer and other accouterments of the cult in Cuba, links can be re-established that explain the persistence of the cult in Cuba and demonstrate the ways in which ironically this emblematic sounding instrument of the cult is often constructed in a manner that actually mutes the instrument., [unedited non–English abstract received by RILM] Este estudio es una investigación sobre la importancia del culto “zumbador” (xiloaerófono) en la religión oricha en Cuba. Aunque el culto fue una de las colectivas precoloniales más temidas del mundo Yoruba, asesinando a criminales y brujas a nombre de los consejos del estado, después de la separación transatlántica la recreación del culto en Cuba asumió un carácter más devocional. Dado a la magnitud de los cambios ocurridos entre los cultos zumbadores en Cuba y en la tierra Yoruba desde que finalizó la esclavitud, los vínculos obvios entre los dos cultos prácticamente han desaparecido. Sin embargo, se puede argumentar que, al prestar atención particular al zumbador y a otros objetos del culto en Cuba, es posible establecer vínculos que explican la persistencia del culto en Cuba y demuestran como este instrumento icónico del culto, irónicamente, ha sido construido muchas veces de una manera que deja al instrumento “mudo.”
44. Versos sagrados de ifá: núcleo ordenador dos complexos religiosos de Matriz iorubá nas américas
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- Xavier,Juarez (Author) and Kabengele,Munanga (Author)
- Format:
- Book, Whole
- Language:
- Portuguese
- Publication Date:
- 2004
- Published:
- São Paulo
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Notes:
- 313 p, These verses are religious that reflect the Latin American, Brazilian and cuban culture; Thesis/dissertation
45. Who is nature?: Yoruba religion and ecology in Cuba
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- Concha-Holmes,Amanda D. (Author)
- Format:
- Dissertation/Thesis
- Publication Date:
- 2010
- Published:
- Florida: University of Florida
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Journal Title:
- ProQuest Dissertations and Theses
- Notes:
- 327 p., "This research is in response to the general academic need to examine how black histories have been conceived and written. Instead of folklore, I look to the Osainistas (healers and herbalists initiated into the secrets of Osain) in Cuba as possible partners in a conversation in collaborative conservation. My study of Lucumí (Yorùbá-derived) religion and Osain (deity of the sacred forests, herbs and healings) reveals an embodied understanding of nature through which the boundaries of subject as well as material and spiritual become collapsed and traversed through specialized communication techniques. Ways of knowing through invocations, praise poetry, music and dance are essential to nearly all Yorùbá ritual in which spiritual forces are actualized-evoking and thus invoking spirit into physical form. Yorùbá employ these embodied techniques to transcend boundaries and open communication among spirit, material, temporal and spatial worlds, particularly to understand and work with natural resources. This embodied knowledge is, as Yvonne Daniel argues in her book Dancing Wisdom , "rich and viable and should be referenced among other kinds of knowledge" (2005:4). This intermittently conducted 2003-06 ethnographic study, relies on what I am calling evocative ethnography, which is organized around ethnography using visual and cognitive techniques along with archival research to explore how Lucumí conceptualize nature and how I can translate these embodied perceptions." --The Author.
46. Wizards and Scientists: Explorations in Afro-Cuban Modernity and Tradition
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- Palmie,Stephan (Author)
- Format:
- Book, Whole
- Publication Date:
- 2002
- Published:
- Durham, NC: Duke University Press
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Notes:
- 399 p, Focusing on developments in Afro-Cuban religious culture, demonstrates that traditional Caribbean cultural practices are part and parcel of the same history that produced modernity and that both represent complexly interrelated hybrid formations. Palmié argues that the standard narrative trajectory from tradition to modernity, and from passion to reason, is a violation of the synergistic processes through which historically specific, moral communities develop the cultural forms that integrate them.