African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
202 p, "The Quest for the Cuban Christ, the most recent work of Miguel A. De La Torre, is an exceptionally concise exploration of the ways in which Cubans have both conceived and perceived religion in general and Jesus Christ in particular, over the last five centuries. Specifically, the author examines religion and spirituality from the point of view of both subaltern and dominant groups throughout the history of Cuba. The real focus, however, is on the role of faith in the formation of the identity of Cubans resident and in exile that have been historically subordinated to the interests of hegemonic powers like Spain, the United States, and successive Cuban (including revolutionary) governments." (Jason M. Yaremko, H-LatAm [October, 2003]))
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
This chapter concentrates on rhythm in danced, sung, and drummed practices of Cuban Santería. Musicians and dancers sing, drum, and dance the sequenced rhythms of the ancestors and provide opportunities for others to experience and learn. Many versions of ritual prose and poetry have been conserved, first by the continuous input of arriving Africans in the trans-Atlantic slave trade from the 16th to the late 19th century. Codified gestures and movements display specific patterns in accelerating and intensifying tempi. In predetermined rhythmic, tonal, and intervallic relationships, ritual musicians display the buried mathematics of a dance and music liturgy. In order to facilitate human dancing and suprahuman transformation, worshipers have relied and continue to rely on rhythmic remembrances.
